Greg Molyneux Photography

Tag: soft focus

  • Still Here

    Still Here

    Shallow depth of field photograph of a single tall sprig of grass
    Still Here — 35mm | f/1.4 | ISO 100 | EXP 1/640

    As I was preparing to onboard a fast 35mm to my lens array there were three primary uses driving my motivation:

    1. Tighter option for landscape shooting situations where the 14mm is too wide
    2. Sufficient prime lens solution to spend an entire day shooting with a single lens—think of it as a walkabout lens for Disney World
    3. Tack sharp rendering even wide open at f/1.4—allowing all sorts of shallow depth of field, selective focus, and bokehlicious opportunities

    Yesterday’s shot above speaks to the latter, and if I get down to it, is the primary reason I long coveted this lens. As much as landscapes are my wheelhouse, this kind of dreamy, shallow depth of field shooting engages me the most. It’s back to the basics photography—walking around, camera in hand, single shot work up close and personal with the subject. Frankly shooting landscapes becomes a bit clinical at times; rote behavior stuck behind a tripod, never worrying about focus—thanks, hyperfocal!—and capturing brackets. But it’s not all a crying shame, being detached a bit from the process allows you to sit back and take in the great sunset you’re there to shoot.

    Bringing it back around there’s just no substitute for pared-down handheld shooting. Walking about Stafford Forge yesterday I met with a surprised greeting the nascent remnants of a seasonal control burn. It must have taken place about 10ish days ago as green grasses were already breaking through, coloring up the landscape. Every year this happens, taking down human height grasses and brushes that will steadily accumulate over the spring, summer, and fall growing seasons. For yesterday it made for a chance meeting with this bit of grass here—anyone able to ID that thing? Like most plant life in the Pinelands heat from forest fire allows protective casings to open and seeds to drop. Think of pine cones. This makes the control burning a necessary and important task for healthy maintenance of a productive pine forest ecosystem.

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  • See to the real you

    High key black and white macro photograph of a clematis flower
    See to the real you — 100mm | f/2.8 | ISO 100 | EXP 1/250

    It wasn’t until showering this morning—OK. OK. This afternoon. So what if I like to sleep a little late?—that I realized I totally forgot about this photo. Taken in my backyard all the way back on May 24th I processed this baby up and apparently moved on to other things. Cripes. Memorial Day parties to host, work to pay the bills and exercise the mind, and naps. But mostly naps.

    So here it is, mid-June and my clematis is finally getting its due. It’s certainly not my typical macro, but every now and then a high key black and white treatment on a flower photograph is just what the doctor ordered. And while this exposure doesn’t reach the heights of I’d love to see you in that dress, it does slot in nicely among my past work.

  • Soft Spot

    50mm shallow depth of field photograph of rain soaked daffodils
    Soft Spot — 50mm | f/1.4 | ISO 100 | EXP 1/1600

    With the first turn in the weather, the calendar mandates it’s time I get back to my photographic roots. After a toddling period of crash course trial and error in the early days of 2012, flower photography quickly established itself as my go-to comfort spot behind the camera. It’s where I first felt some semblance of control in the process of making satisfactory photographs. Everything else—most certainly landscapes included—felt far too unwieldily and daunting at the time.

    But with a diverse array of flowers in abundant supply in just about every corner of my property, I had plenty of eager subjects waiting to help me learn and grow. Here I more often than not unwittingly stretched my creative muscles through soft focus and shallow depth of field with my petaled muse. I remember being quickly drawn to the way bokeh and soft focus when juxtaposed with areas of clarity can move the eye throughout a photograph, bringing layers and depth to an image. This exact relationship is what was entirely lost on me as a high schooler struggling with painting—for whatever reason I was too engrained with this hyper-realistic bias where everything had to be clearly defined and in focus. Never understanding that all that clarity, when deployed incorrectly creates competition and noise throughout a composition.

    So while the sunsets and landscapes are sure to continue, a steady dose of flowery soft focus and shallow depth of field is on the way. For now we’ll start with this daffodil—the first of my flowers to bloom.

  • Quick fire in the slow sunshine

    A late afternoon macro photograph of a newly blooming quick fire hydrangea. The fresh tender white buds are just set to pop with a soft focus settling around the two open flowers.
    Quick fire in the slow sunshine — 100mm | f/4 | ISO 100 |EXP 1/160

    This one took a bit of investigating. I have a prominent bush in my back yard that blooms in late summer with some beautiful and bug friendly flowers. As I type I’m certain it’s swarming with life.

    I’ve had my suspicion it was some kind of hydrangea but I was never certain as it seemed a little too sparse and a little too large. Alas, my mom got to the bottom of things at a local flower shop this afternoon and came through to let me know that this here shrubbery is a quick fire hydrangea.

    With all that said I look forward to more macro goodness at the feet of this flowering shrub in the coming weeks.