Get thee to the beach — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Pardon the directive—this title is mostly intended as a self-serving reminder to get my butt to the beach more often. But if you can make it, well then you should too! Living mere miles away I’ll readily admit I don’t capitalize on the natural splendor looming just to the east nearly enough. It’s hard to pinpoint the hangup/excuse but with views like the one above I clearly need to get there more often. Camera in hand since I’m an embarrassment on a surfboard.
This past Saturday I ventured all the way down to Long Beach Island’s southern-most point—Holgate, NJ. There I met up with friends and what seemed like 5 or 6 dozen other revelers to take in the wonderful weather, low tide, and stellar sunset that Mother Nature was promising. Initially concerned I’d have my shot impacted by the sizable winter crowd, I staked my claim to the jetty rocks you see above. I didn’t venture far from my spot for the next 50 minutes or so worried I’d lose it and my precious foreground. And other than a temporary scare of 2 exuberant young photographers running around trying to capture seagull shots, my viewfinder went unimpeded. Fist bump.
Unrelated: it’s New Year’s Eve—I hope everyone has a great night and an even better 2015. Cheers and thanks for being a part of the first year of my website!
A Christmas Sunset — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
It’s December 25th. Christmas Day. With stores closed and roads dead, all was right with the world as I took an easy drive eastward to Dock Road this evening. With high pressure setting up shop for the next few days it was readily apparent the clouds were dying a fast, unceremonious death. Goodbye, clouds. We hardly knew you. But what did I care? Today is Christmas, and I’m going to enjoy myself.
Considering the fast dissipation of the cloudage, I shot earlier than usual knowing all cloud cover would be gone before the sun settled below the horizon. Opting to get a sun flare and the glowing red ember color that washed over the dead winter marsh grass, temporarily breeding life into the now brown grasses. I’m digging how the light plays along the grasses mixing in with the meandering tidal pools.
I’ve taken 6,386 photographs with my DSLR this year—short ~250 that were deleted immediately on account of poor quality—and easily my lowest total since I began shooting January 1, 2012. For some perspective, I took well over 25,000 pictures that first year but don’t let the lower total fool you; I’ve no doubt become more selective in my shooting—ditching spray and pray tactics in favor of a more established process. Thanks to the experience I’ve gained over the past three years, 2014 represents my best year as a photographer. I launched this website in a rare spat of motivation on January 18, 2014, and I’ve processed and posted 136 photographs (and counting at the time of this posting) since. I thought I’d share with you my personal favorites from throughout the year.
Winter has its ways — 14mm | f/8 | ISO 100 | 3 Bracketed Exposures
Winter has its ways | Taken: January 23, 2014 | Location: Antoinetta’s Restaurant, Cedar Run Dock Road, West Creek, NJ
Two things stand out from last winter once dates flipped to the January side of the calendar: 1) Polar Vortex cold, and 2) the great sunsets it wrought. As a sunset landscape photographer early 2014 brought the goods to the New Jersey coast, rendering multiple standout sunsets each week. This reality will be reflected over the next few shots in the series, but this particular photograph stands out for me as my favorite sunset shot I’ve been lucky enough to make—not just this year but ever.
What really makes it a standout for me is the coupling of the frozen bay and the lines it creates with the deep purple and scarlet red sky that I covet so much. The marching clouds moving steadfast out of the southern vanishing point splay out in almost winged fashion as they moves off screen to the top left. There’s just so much sweetness happening right here.
I’ll leave you when the summertime — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
When rich pastels, a smattering of snow pack, and water still as glass come together you have all the ingredients of a great sunset photo opportunity. All you’ve got to do is compose it, breathe, and fire. With this shot, aside from the great colors, I like the way the pink clouds racing across the horizon to the left are counterbalanced by the angle of the water moving off screen to the bottom right. It brings the right kind of movement and balance to the photograph that makes it a standout for me.
This title is lyrically inspired. Having been one of the coldest winters I can remember I was listening to Led Zeppelin’s “Babe I’m Gonna Leave You” and the line “I’ll leave you when the summertime” just stuck with me.
The path before me — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
The path before me | Taken: February 7, 2014 | Location: Cedar Run Dock Road, West Creek, NJ
More cold, more great sunsets. Here’s another shot from Dock Road, taken about 1/4 quarter mile west of Winter has its ways above. To make this photograph I set my tripod about 18 inches off the ground, set back about two feet from where that small tidal pool spills out onto the pebbles in the foreground. That opening is only about two feet wide. That’s where the magic of the 14mm wide angle comes into play, making the whole scene larger than life as it pushes everything back toward the vanishing point; in this case driving all eye movement to just right of center along the horizon.
A subtle loss of clarity — 14mm | f/8 | ISO 100 | EXP 1/15
A subtle loss of clarity | Taken: February 18, 2014 | Location: Great Bay Boulevard, Little Egg Harbor, NJ
Hey, alright! The first photograph in the not sunset division. I love black and white. Growing up as a wannabe photorealist pencil drawer I did just about everything in black and white. Resorting to other mediums only as mandated by the art teacher. And while color has grown on me in surprising ways, black and white will always hold a special place.
Specific to this low key black and white landscape I was going for a moody, dead-zone February vibe. Coupled with this lazy shutter trick I sometimes try where at slightly sluggish speeds—1/15 of a second in this case—I pan the camera across the horizon, holding the camera steady turning only at the hips from left to right. Executed correctly—which is equal parts luck, voodoo, and skill—it can create a really cool ethereal effect. With this shot, the soft undulating water ripples move me peacefully through the photo despite its apparent darkness.
Your day breaks — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Your day breaks | Taken: February 22, 2014 | Location: 13th Street, Ship Bottom, NJ
I am not a morning person. That means I miss just about all the sunrises. This is probably a fail on my part considering I have the whole of the Atlantic Ocean like 6 miles to my east. Lucky for me on February 22nd I was awake. I can’t remember what made that morning different from any other in terms of waking up early, but hey, it paid off.
When I was composing this shot I wanted to capitalize on two key features: 1) the dune fence arcing from left to right, and 2) the sweeping cloud diving in from the top right corner that eerily reminds me of one enormous looming moon. The curving trajectories of these two features play so nicely together, achieving the balance I seek with my work. Of course this is all enhanced as its backlit by gorgeous sunrise light.
More lyrically inspired titles—the opening line to the Beatles “For No One” seemed perfectly apt.
And hey, let’s here it for February 2014!—this marks four selections for the month, the most of any month in this retrospective.
Barnegat Bay dockside — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Here’s my runner up to Winter has its ways as second best sunset photo of the year. I dig everything about this picture. The way the blues and pinks work together; the subtle movement to the colors reflected in the bay; the cotton candy clouds drifting the sky; and the foreground marked by knotty boards and one small stone. It’s a minimal composition that I’m definitely proud of.
It starts with one — 100mm | f/4 | ISO 100 | EXP 1/400
It starts with one | Taken: June 27, 2014 | Location: My house, Manahawkin, NJ
Gear change. Time for a run of flower macros. This is really how I got my start with a camera in 2012. For much of that year I shot macro exclusively, focusing mostly on flowers and bugs. And while I’ve since grown up as a landscape photographer, I still really enjoy making the small world big with macro.
In this shot I’ve pulled a lot of personal favorite styles together. Black and white processing; low key mood; minimalist subject with one yet-to-bloom daisy; and a shallow depth of field. I want the eye to play between the soft grey shadow to the left of the offset daisy bud to the right, highlighted in the glow of an offscreen light source. It’s a simple scene, and that suits my style just fine.
The last of us — 100mm | f/4 | ISO 100 | EXP 1/250
The last of us | Taken: September 5, 2014 | Location: My house, Manahawkin, NJ
Fact: purple coneflower is one of my all time favorite flowers to photograph. Their size, color, and shape make an ideal macro candidate. This little guy is potted in my backyard, and he was still standing tall into September. Knowing its time was coming I went for the camera. I had about 10 more minutes of afternoon light before the sun would slip behind my house, turning off the light source. Shooting handheld I set my focus to just sharpen the petal tips, letting the rest of the flower fall into soft focus and bokeh. The result? One of my favorite flower macros of the year.
I’d love to see you in that dress — 100mm | f/4 | ISO 500 | EXP 1/1000
Here it is, folks. My number one favorite shot of the year. Starting with a single Klondyke Sunny Red in Ben Wurst’s front yard wildflower bed, I made a handheld macro photograph aiming directly at the flower from its waistline if you will. What struck me staring down the barrel of my viewfinder was how much this beautiful flower made my mind’s eye behold a graceful dancer twirling the most beautiful cocktail dress. With consideration toward the wonderful femininity inherent in this photograph, I went with a proper high key black and white treatment to accent the softness and sensuality that is this photograph.
This shot I made is a total departure from my normal photo M.O. That no doubt is what makes it even more special to me, and why it stands atop my 2014 list.
Barnegat Lighthouse, easily the most famous landmark within ~30 miles of my house. I don’t get out there to photograph nearly enough, and this represents one of only three Old Barney shots I’ve posted. Lucky for me the sunset and subsequent blue hour was jamming on September 22nd. I posted up with my tripod out on the jetty rock figuring it would provide my best vantage point and composition for this time of year. Seconds before I periscoped my tripod head northward to make this shot above, I was panned to my left taking this wonderful sunset. The light was crazy, rendering one of the best skies of the year. Some days you just get lucky.
Watch the spray — 14mm | f/8 | ISO 100 | EXP 1/50
Watch the spray | Taken: October 12, 2014 | Location: Surf City, NJ
For me this shot is more about the moment. With the tide out and the dampened sand too soft, using the tripod was not an option. Wherever possible, whenever possible, however possible, my goal is to shoot landscape fixed to a tripod. With the added stillness it assures, and my penchant for bracketing multiple exposures, it’s an absolute must. But sometimes your surroundings are not wont to accommodate. On this October evening I decided to not only go handheld but to get a little reckless (by my OCD camera standards). Here’s an excerpt from the post:
There was a lone piece of jetty rock set about 6 feet away from the main jetty. Between waves I was running up to the rock, dangling my camera about 3 inches from the sand, and trying to time the shutter with water spray firing off said rock. Since I was shooting a mere 15 inches from the jetty rock, the big risk was getting myself and my camera out of there before the spray got to me. All went well, and I got a sweet shot.
On matters of hobbits — 14mm | f/8 | ISO 100 | EXP 1/30
On matters of hobbits | Taken: October 18, 2014 | Location: Batsto Village, Hammonton, NJ
Get thee to Batsto Village in Autumn. Tucked away in Wharton State Forest it’s a wonderful place to visit, capturing an 18th century town frozen in time in the middle of the Pinelands. I was lucky enough to photowalk the grounds with a few friends just as the maples were beginning to fire with all their orange, red, and yellow fury. Juxtaposed with the still green grass washed in late day sun, the place looked great. I made several keepers in just about 90 minutes of shooting, but this one is my personal favorite. It’s fun and it breaks the rules a little bit—with blown out skies, crooked horizon and odd angles. But sometimes breaking the rules is the best course of action in your photo work.
That’s it. We made it. Stepping back through the year was tons of fun—far surpassing expectations. I’m already looking forward to doing it again next year.
And how about a shout-out for the south Jersey? Every photograph here was taken within 25 miles of my house. If you toss the Batsto shot at the end, that drops down to about 12 miles. So many great spots right in my backyard. Be sure to check out my best of work from 2015 and 2016.
Going through the motions — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Not the most inspirational of titles, but I’m going with it because it’s topical. I keep writing and rewriting this post only to delete it for sounding like little more than non-stop complaining. So instead of calling the wambulance, I’m just going to say it was nice to be out taking pictures tonight. I needed to break away from the current comings and goings, and even though tonight’s sunset wasn’t the most stunning I still got to spend some quality time out on the marsh. That, and I like the picture I made more than I thought I would, too. So despite my wont to bicker, things really ain’t that bad.
And speaking of titles: I always (98.7% of the time) go with the first word or phrase that comes to mind when editing my photographs. It’s a habit I started with my 365 Project back in 2012. I rarely deviate from that process. With this shot though, I was literally going through the motions—struggling to come up with something, anything fitting. About an hour later, this is it.
The unnamed feeling — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
What was I thinking about when I was photographing tonight? The constancy of flux. Particularly in the most familiar of places. The front lake at Stafford Forge has swelled several inches and consumed feet of shoreline, changing the dynamic of one of my old standby shooting locations. A few extra inches of water has transformed a whole landscape. Perhaps more interesting? This change would have been inconsequential to my pre-photographer eyes. But now, with an ultra wide angle lens in tow, inches matter as the space around you pushes out toward that vanishing point.
On the upside I got to shoot a sunset from a new spot and that’s always exciting. As hindsight will explain, I just should have been more patient about it.
This past Tuesday, perched at the rear of Sunset Cove in Bowleys Quarters, Maryland, I took aim at one hell of a sunset. Dramatic colors, glassy waters, and plenty of objects to compose. Pretty much everything you can ask for. Luck would have it that the timely end of a late afternoon food run allowed me to arrive at this sunset spot ten minutes after sunset. At the perfect time for ideal color. Usually.
About 15 minutes after sundown I made my last bracket of 7 exposures. I only took a grand total of 3 brackets over a span of maybe 3 minutes. For whatever reason I just wasn’t comfortable loitering around this new locale and busted loose with great haste after only a few minutes of shooting. In doing so the sky did something weird. It got brighter and more colorful. And while I readily admit the color always improves after the sun goes down, I’ve yet to see the sky do this. Where it amplifies to this degree some 20 plus minutes after sunset. And sure I am really happy with my shot, I’m just bummed knowing I missed out on capturing an even more dramatic brand of sky.
A change in the weather — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Holgate, New Jersey. Back to where it all began. This is the photograph. The date? January 1, 2012. I didn’t know it at the time, but this began a 365 day (366, it was a leap year) photo project that would later transform into a full on passion. I am thankful for life and its odd twists of fate.
As for tonight’s shoot? I was hopeful the clouds would break just enough to allow sunset to do its thing. That never really happened, but for tonight that was OK. With storm clouds moving through in advance of tomorrow’s rain-out, the clouds were plenty dramatic. Combine that with the tidal pools and undulating sand patterns marking the foreground, and I had the ingredients for solid landscape photo. Considering the abundance of grey the stretched on for miles, I had a notion I may go black and white for the final processing choice. Once I got home and went monochrome with Silver Efex Pro 2 my decision was made.
Color me bayside — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Winter sunsets, man. So hard to beat. When I don’t get enough camera time I really start to miss it. It doesn’t take long either. There’s just something about regular, near daily shooting that regulates my mood. And I guess that’s the hallmark of any therapeutic hobby, really. That chance to decompress and slip away from the daily grind to recalibrate.
Lately, however, life has gotten in the way and Mother Nature has hardly been the most cooperative, either; leaving me cloudless or entirely clouded out. But that’s just the way it goes, I guess. This afternoon, after saying goodbye and celebrating the life of an unparalleled man who meant so much to so many, a clear day turned variably cloudy allowing the waning light of day to do its thing.
Sunset didn’t work out but golden hour sure did. By the time twenty five more minutes had elapsed, the abundant cirrus clouds you see above had raced off to the north and east, leaving a near endless expanse of open sky. And while the whole of it was quite relaxing to witness, it wasn’t much to photograph. Fortunately I was early enough to get this shot, and I just can’t get over that golden glow. Light sure does some pretty amazing things in Fall (thanks sun angle).
Also, if you’ll notice to the right of the sun there’s a lens flare in this picture—appearing as a red smudge. Unscientifically I’d say that 80% of the time this annoys and distracts me, but here I think it works. Just one of those things that sometimes pans out. Happy accidents and such.
