Tag: bokeh

  • The Winter Narrative

    The Winter Narrative

    100mm macro photo of a Hemlock tree pine cone hanging from snow covered pine boughs.
    The Winter Narrative — 100mm | f/3.5 | ISO 400 | EXP 1/640

    The calendar flips March and 2019 has supplied scarcity for New Jersey snow lovers. Several nickel and dime events, sure, but not the mother lode that leaves us ditching rulers for yardsticks. Jim Cantore has monster measurements to make out west this year. This is the ebb and flow nature of winter in the Mid-Atlantic. Boom seasons sprinkled in typical years of bust.

    Yet recency bias dominates the narrative. Social media is rife with it doesn’t snow like it used to claims, and while I share the frustration it is not true. Consistent, big snow is not the norm. Take the dry years that carried us from the 80s through the early 2000s where the foot plus storms could not add up enough fingers to make a full hand. You had 1993, 1996, and 2003. I remember a big event in 1987 or 88—the first primetime snow storm I remember—when I was a kid in East Brunswick, but I am not sure that cracked a foot. After that, however, the boom time set in. Dispersed between down years (not unlike this one) you had 2007, multiple foot plus events in winter 2009-2010 and 2010-2011. 2012 and 2013 were a total roast fest but then more big time action came in 2014, 2015, 2017, and 2018; much of which documented by this photographer. New Jersey snow lovers have had it made. A regression to the mean is probable.

    None of this is to say I am not bummed. I love snow; it can never snow enough. But considering our low latitude—the 40th parallel—that has us due west of Portugal, mind you, many variables must come together to produce big snow. This casual rant is a simple reminder to fellow NJ snow lovers to appreciate our big storms since we never know when we will bust out the yardsticks next.

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  • Reaching Out

    Reaching Out

    100mm macro photo of a green silver-spotted skipper caterpillar on a dead purple coneflower.
    Reaching Out | 100mm | f/4 | ISO 1600 | EXP 1/200

    Laid up for the weekend with back pain is suboptimal. Press conference Joe Girardi would shrug his shoulders incredulous and declare it’s not what you want. Whatever your flavor there is never a good time for back pain. And to my brothers and sisters mired in low back hell, I slouch in solidarity with thee. May your heating pad and icy hot be forever in your reach.

    The good news to this story is that of this Sunday evening writing my condition has improved. Eager to product something of value I thought why not hit this neglected blog and publish a new photo on this website. The photograph is not new, per se, having made this shot in mid-September. True to form I have been slacking all year on getting photos out and into the world on any kind of schedule representing timeliness.

    Yet here is a sweet little macro of what I only learned minutes ago is a silver-spotted skipper in its caterpillar phase. That is one stylish looking insect if you ask me. Rock the neon glory if you’ve got it. Before its metamorphosis stride I made some macros of it milling about an old coneflower. No doubt contemplating what comes next in life.

    Presented with ample negative space this photograph has room to b-r-e-a-t-h-e. Loads of space and flat color bokeh teeing up all the wide ranging existential issues. So much room for the mind by way of the eye to sit and ruminate in a minimal motif stripped of stuff. Left hanging, we are as our little green friend: Stretched on the precipice of of existence in simultaneous reach to the Next Big Thing. As we cling to the familiar we hold battle with anxious apprehension when faced with undefined space. For those who recognize all possibility of the empty palette reach out to transform their lives.

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  • The Majestic

    The Majestic

    100mm macro photograph of hosta flower in low key.
    The Majestic — 100mm | f/3.5 | ISO 400 | EXP 1/250

    I’m having a pretty great Monday, you guys. I’m burning a welcomed vacation day sitting with my Mac at The Union Market & Gallery—a home away from home. Inches of rain fell this morning but now the south Jersey skies begin to clear. The soggy morning off soon turns to an afternoon of roller coasters and screams at Great Adventure. There will be much rejoicing.

    Place matters and this is the first time I’ve typed out a blog post anywhere other than my home office. The change of p(l)ace is nice. Jazzy music firing in the background with pleasant patrons mingling, sipping, and eating. Better yet are three full walls packed floor to ceiling with local art from local artists. Inspiration and good coffee abound at The Union Market—as well as an inspired staff. My takeaway is that I am going to have to come here to process and post photos more often. With any luck this will reignite my photo making which has regrettably fallen of a cliff in 2018. But with four and a half months to go there is still time to salvage 2018.

    A brief word about this photograph: Doesn’t this hosta macro remind you of a lion’s mane? It’s the trigger in my brain—a majestic mane unfurled in prideful triumph. The low key treatment adds an extra level of depth and gravitas to the image. Deep and serious—carrying home the intensity and majesty of the moment.

    And now back to my not-so-regularly scheduled day off.

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  • Flowered Sun

    Flowered Sun

    100mm black and white macro photo of echinacea.
    Flowered Sun | 100mm | f/3.5 | ISO 100 | EXP 1/320

    Looking close and slow upon a flower is a practice in patience with which all should partake. Particularly true to heal closed hearts and open stagnant minds. It is both window to the soul and outlet to the universe and it unveils the underpinnings of nature’s truth.

    Take this nascent echinacea blossom. Still early in its development, it will soon blossom into its wonderful purple array. Yet here, in this moment of transition, if we look close we see the vast universe mirrored atop a small flower. With my first glimpse this blossom has the look of a sun. Star powered energy pouring forth from a solar atom foundry in its energetic prime.

    Or is it teasing us with the esoteric nature of spacetime? The pliable fabric Einstein predicts by way of his theory of General Relativity? The spiraling spires trigger my imagination. I look and I ruminate. I see space curving and folding in response to mass. I see the universe as it is—all atop a flower in transition.

    Or do I look only but upon a flower? Should it be so than it would all be worth it for the beauty of the world sets forever before us.

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  • Corona

    Corona

    100mm macro photo of a blooming purple coneflower.
    Corona — 100mm | f/4 | ISO 100 | EXP 1/80

    There is regal majesty in the echinacea’s journey from bud to blossom. With the subtlety and finesse borne of fine stock she transforms with noble grace. Gentle petals work outward—a green coronet becoming the crown befitting her station. The purple coneflower corona hits its zenith only to unfurl to its full purple petal. Long and lithe this flower never loses the splendor of its most perfect roots.

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  • Bright Spot

    Bright Spot

    White daisy blossoms photographed at 35mm in low key vertical orientation.
    Bright Spot — 35mm | f/1.4 | ISO 400 | EXP 1/30

    Flowers are but a bright spot in an otherwise darkening world. Acrimony, callousness, cynicism, and flagrant distrust envelope our better judgement as a plague. As corrosive distrust and patent injustice unfolds so too do the flowers. Impartial and ignorant to our schemes and machinations, spreading beauty with their grace. Too bad it not up to them to stand in judgement of our folly.

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  • In and Out

    In and Out

    Soft focus 35mm photograph of spirea blossoms and bokeh.
    In and Out — 35mm | f/1.4 | ISO 100 | EXP 1/2000

    So I made this spirea photograph on May 11, 2018, and here I am blogging it up on June 22. Six weeks later is been than forever weeks later, right? Right!?

    Last spring I made a spirea photo which served as a source of pride. I even printed, matted, and signed a few for Makers Fest, and it looked wonderful on photo paper. With a stout bloom thanks to ample rain, I was keen to get back in there to see I could conjure this year.

    In this photograph I am executing soft focus and bokeh. Allowing the frame to sit largely out of focus. A pronounced shallow depth of field brings a sliver of sharpness on two narrow planes moving diagonally from left to right across the frame. Falling off in either direction, the spirea blossoms and its lush leaves fade quickly from focus, drifting off to whimsy. This lends a fantasy quality to the image. I can imagine faeries tucking away a touch out of sight, using esoteric magic to float clear from focus. Their secret hides in the bokeh. Drifting out of range of prying eyes and surreptitious lenses.

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  • Prime Peony

    Prime Peony

    High key macro photo of a peony flower surrounded by bokeh.
    Prime Peony — 100mm | f/4 | ISO 100 | EXP 1/320

    It was a great season for peonies in my neck of the woods—Ocean County, New Jersey. Backloaded winters aside, it seems extended cool, wet conditions are a peony’s friend. Check out the peony floral arrangements Eastlin Floral Design was busy putting together. This flower species is a serious boon to any bouquet.

    As for my yard, it boasted a few primetime peony blossoms in 2018. They made an excellent subject for my 100mm macro lens. Lighting conditions proved ideal for creating a dreamy, high key picture set in a cool tone. Had the late afternoon sun been direct, a yellow tone with strong shadows and highlights would have cast a far different look. A high overcast was pivotal here, keeping a standout rose pink color tone on the peony petals.

    To further maximize the high key effect from ample filtered ambient light I was at an open(ish) f/4 aperture at 100mm. Coupled with a close subject proximity this renders an airy focus and bokeh for days. The end result is a center weight flower macro evoking a calm, easygoing mood.

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  • Light Play

    Light Play

    Japanese maple leaves photographed in golden hour light with shallow depth of field producing bokeh.
    Light Play — 35mm | f/1.4 | ISO 100 | EXP 1/400

    Soft gold lingers. Midas’ hand set gently upon wine dark leaves. A ruddy remnant of the enchanted wood. The familiar maple stands firm. A trusted friend with a gift for listening. Relieved and uplifted at once you sit beneath its boughs. Evening light touches down on tired shoulders, lending patience, love, and support. Through a connection that dives beyond words and conscience thought the maple hears. A knowing companion free from judgement and avarice. Another year older, another year stronger it stands ready to see you higher than ever before. Your friend grows strong beside you. Its sinew working into your bones grafting its fortitude within you.

    You have learnt much from this tree. A guiding hand of steady silence year upon year. An living monument to patience and strength. Shared with each storm and gale, lessons of flexibility and acceptance transfer. The tree knows how to weather the worst. How best to take it head on, branches open, free of tension and fear. Only when the driving winds have passed are you left with a stronger, healthier tree. Forged by nature, shaped and hardened for more. This is the teaching it passes on to you. It is when you gaze upon soft golden light suffusing its ruddy aura you remember.

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