Tag: ben wurst

  • 2016 Makers Festival in Retrospect

    2016 Makers Festival in Retrospect

    Photo of Reclaimed LLC display tent at The Makers Festival 2016
    Reclaimed LLC 2016 Makers Festival Display — 14mm | f/8 | ISO 100 | EXP 1/160

    Your day breaks

    It’s a Saturday morning in September and it’s early. Somewhere in a second floor bedroom a card carrying night owl wakes before his alarm. Bare feet meet carpet and nearsighted eyes blur a darkened window—the sun’s not even a thing yet. Replacing the usual reflexive denial of the it’s time to wake up reality, a slow burn of anxious excitement stokes in the pit of an unfed stomach that’s a touch too nervous to fill. To the showers! Fast forward a soapy cleansing and a final car load and an area man cruises eastbound on a quiet Route 72. As Route 9 approaches and the third person narrative begins to wane, my gaze moves left to eye a sea of tents just ashore of Manahawkin Lake Park. A sobering whoa.

    Quickly off the Route 9 spur that feeds onto 9 North reality unmistakably sets in. It’s about 15 minutes to 8:00 a.m. and the park is jumping. There’s no turning back. Traffic is already slow and a morass of Makers are fabricating their shoppes in advance of what already seemed a day of great import. Almost immediately I spotted Jeff Ruemeli pulling along pottery equipment in a Radio Flyer wagon. Somehow the kids are gonna be all right.

    From there it was a whirlwind. A 90 minute set up. A 15 minute pep talk. A group photo and bang, 10:00 a.m. and time for the show. What came next was eight incredible hours of kind folk, beautiful creations, and an amazing tapestry for creatives to show off their wares. The weather—a warm 80 degrees with partly cloudy skies—could not have been better, and the crowd could not have been more engaged. My only regret was not having a spare moment to slip away from my tent to spend some proper time taking in the totality of the event. The attention to detail, the thought, the effort; the end result of all the blood, sweat, and tears was a sight to behold—even if I only caught glimpses through a bustling periphery. I would have loved nothing more than to visit all the Makers to see their fine works firsthand. Everything—and I mean everything—was first rate. The MakeShift Union crushed it.

    Photo of Greg Molyneux Photography display tent at The Makers Festival 2016
    Greg Molyneux Photography 2016 Makers Festival Display — 14mm | f/8 | ISO 100 | EXP 1/160

    I have people to thank

    I have been fortunate to participate in several events since picking up the camera back in 2012. First breaking the ice with the Summer Art Opener in June of 2014; next displaying my work at the Little Egg Harbor public library in October 2015; and for most of 2016 showing my work in some capacity or another on the walls of Long Beach Island Foundation of the Arts and Sciences. Humble and grateful for the opportunities afforded to me, my cup overflowed when I was welcomed into the Makers’ fold and granted juried access to the second annual Makers Festival at Manahawkin Lake Park. It all went down Saturday, September 17, and everything about the day was perfect.

    I imagine I’m not alone in the mad dash of preparation in the weeks leading up to Saturday’s big day. Without a doubt my fellow Makers were torching all kinds of midnight flammable goods striving toward the attention to detail that only a perfectionist’s compulsive mind can mandate. While the hours were long and the eyes were weary, I would have absolutely been nowhere without the outstanding work of Ben Wurst of Reclaimed LLC and my good friend and fellow booth designer, Jennifer Carr. Ben worked dutifully on my behalf. Sacrificing his own Makers Fest prep time to not only craft a killer bifold display fashioned with reclaimed mahogany laid in a chevron pattern and repurposed from a Princeton home, but also to fashion a sign for greg molyneux photography. Dude actually took the time to superimpose the font of my website header by way of a projector onto a piece of wood so as to get the typography just right. Ben was also kind enough to build a crate for my 12″ x 18″ matted prints, while donating an old drawer for my 8″ x 12″ matted prints. Oh, and some old green crates to support them on. He also made one hell of an event neighbor. Thanks Ben!

    As Ben was toiling away tending to my many woodworking needs—which were massive considering going into this I had no display whatsoever—Jennifer Carr was tireless in helping me mat and wrap 67 prints. 67 prints! From 17 different source photographs I ordered 34 smaller 8″ x 12″ prints to be set in a 2″ mat to go along with 34 other 12″ x 18″ prints which we set in a 3″ mat. One print was sacrificed in our quest to settle on a workflow, but after that progress was good albeit slow. Powered by 90s playlists two long nights were spent toiling deep into the small hours of the morning measuring gluing, matting, signing, bagging, and tagging. However, Jen’s work didn’t stop there: Through it all she offered one great idea after another, helped lay out my booth, painted a box for my 4″ x 6″ postcards, later hung them with care, wrote up some chalkboard signage, and expertly peddled my wares to event-goers all day long at the Festival. Oh, and she was pretty great at wrapping items, too. If you saw those improvised hemp bag handles you know what I’m talking about. I cannot say it enough: without Ben and Jen none of this would have happened.

    Next I want to thank each and every one of you who came by my tent. Whether to look from afar, to chat, to peruse, and of course, those who were generous enough to buy. You are all appreciated, and your feedback and kind words are invaluable. Anecdotally I definitely need some more metal prints as Ruinous Splendor printed on mounted aluminum was the real talk of the day. This kind of real life market research is invaluable, you guys. Thank you.

    My fellow Makers—you’re next. Even though I nary had a moment to network and give your work the proper attention it deserves, without the quality and passion for your craft our event would not have had the unbelievable public reception it received. Your talent and dedication to the arts, our community, and the betterment of our society is an inspiration. I am blessed to be among your ranks. Thank you.

    Lastly—The MakeShift Union—the unbelievably dedicated and tireless women behind it all. Our masters behind the curtain pulling all the right strings to execute such a specific, well articulated vision, and to bring it to life while working through well over a hundred disparate Makers. Think of the logistics required for this, folks. This is organizational mastery and I am beyond impressed by your leadership and purpose. You’ve given us all an unbelievable platform that needs adjectives my vocabulary certainly lacks. Dani, Erin, and Jeannine—you are incredible. Thank you.

    I cannot wait for next year, and you can’t either!

     

  • Perhaps this is Goodbye?

    Perhaps this is Goodbye?

    Sunset photograph of frozen bay ice locking in marina posts
    Perhaps this is Goodbye? — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Be it superstition, confirmation bias, or an actual demonstrable trend to which I have neither the data nor scientific awareness to prove, pre-storm sunset skies always seem to deliver. Today sure fit the narrative. Anticipating winter storm Jonas’ arrival has ground my personal perception of time to a relative halt. Since Monday night the hours, such as they are, have ticked by like days as I click weary-eyed from one model run to another, waiting interminably on weather to arrive. Yet no matter what the models show me, and despite the Blizzard Watch we’re sitting under currently, the pangs of last year’s bust at the hands of Juno gnaw away at my insides. I just want the snow to get here, stay here, and with any, luck bring little to no rain to southeastern New Jersey. Of course that toasty Atlantic Ocean looms large, ready to push warm maritime air onto our shores if the center of low pressure creeps close enough.

    But let’s push my selfishness aside for a second, coastal flooding and beach erosion is the real concern here. But as the far less sexy story overshadowed by the high probability of widespread 12″ snow across much of the Mid-Atlantic, the tidal implications of a roiling ocean have been lost in the shuffle. We’re looking at an extended storm with a duration over 24 hours complete with a broad wind field of tightly packed isobars slinging wind gusts of around 60mph onto New Jersey shores. It’s subsequent storm surge will be aided by an ill-timed Full Moon giving an unneeded boost to already moderate to major tide heights. At least three high tides will be affected from Saturday morning through Sunday evening.

    It is with this reality I title my post. Understanding the marina is now state owned and seemingly set to restore to its natural state, there’s a good change this little cove will look quite different as soon as Monday. These derelict posts of wood that once gave aid to docks and quays may soon be little more than a memory. This is why in considering where on Great Bay Boulevard to photograph today I recalled the wise words of Ben Wurst, instructing me to shoot here as often as possible fore it may soon be gone.

    Interested in buying? Purchase

  • Here on the Mullica

    Wide angle HDR photograph of sunset over the Mullica River
    Here on the Mullica — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Reclaimer of wood and photographer of things, Ben Wurst hosted friends for textbook late summer chilling and grilling this weekend. Naturally, festivities were preceded by an hour long sunset shoot at a location that was for the rest of us in attendance, a brand new spot! We found ourselves tucked away under the Garden State Parkway in Port Republic, NJ, set alongside the southern shore of the Mullica River. Offering both east and west exposures this is a versatile spot that will no doubt take its place in the rotation.

    We were originally onsite so Ben could catch the full moonrise with his 400mm. Too bad it was obvious immediately that wasn’t going to happen; marine layer clouds were draped over the eastern horizon throwing a dripping wet blanket on those plans. The western side wasn’t much better with low level clouds riding the southerly flow. At this point I was milling about chatting with friends while Jackie remained steadfast to the photo plans, dutifully making shots. It was a good time, weather was perfect.

    A few minutes before sundown, what you could see of a mostly cloud obscured sun disk was swallowed by the marine layer haze. With that it was looking more and more likely that a cloud out was inevitable. Driving the impatience further were some feisty appetites and a nice spread waiting back at the reclaimed home base. The natives were restless. Stalling twice for just three more minutes, I began to question whether my efforts were in vain. About 60 seconds from bailing I noticed an oh-so-subtle back build of pastel color brewing toward the east, over the Parkway span. Jackie! I said, we’re golden. And by golden I meant pink.

    The best sunsets always straddle the fine line of oh yeah or oh no. It’s a razor’s edge of hope that there’s just enough gap underneath the clouds along the horizon to give the last photons of the day a chance to get an angle and deflect off the clouds. That’s just what happened Saturday: a near colorless sunset that ignited a good 5-10 minutes after actual sundown, only to smolder for another 15-20 minutes after that. On this day, our position in space and the physical laws of nature were on our side. Oh, and some luck too.

    Update: unbeknownst to me, Ben captured me in the wild setting up for this shot with his 135mm. Good stuff, Ben. I didn’t even see it coming.

  • M.T. Burton Gallery Summer Art Opener: and First Times

    M.T. Burton Gallery Summer Art Opener: and First Times

    A sunset HDR photograph taken along Cedar Run Dock Road in Manahawkin, NJ, by local photographer Greg Molyneux
    The path before me — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
    Storm clouds roll in over southern New Jersey marshland
    South-facing
    A late evening HDR photograph taken just after sunset from Sunset Park in Surf City, New Jersey. The exposure looks out over a very calm Barnegat Bay and features the unfinished wood of the dock at the edge of the park with a small stone in the foreground.
    Barnegat Bay dockside
    An HDR sunrise photograph overlooking the dunes, dune fence, ocean and sand of 13th Street in Ship Bottom, NJ.
    Your day breaks
    An HDR photograph of the marsh at sunset taken by photographer Greg Molyneux on Great Bay Boulevard in Little Egg Harbor, New Jersey
    I’ll leave you when the summertime
    A photograph of late day sunlight pierces a snow covered wooded trail meandering through the thicket.
    And Suddenly you Find Yourself
    Macro photography of Echinacea—Purple Coneflower
    The Space Between
    A dark sepia HDR photograph of a frozen wetland of the Stafford Forge Wildlife Management Area taken just before sunset
    Out where we cannot be
    Low key black and white macro photography of a Small Blue butterfly resting on a hydrangea leaf
    Kicking Around on a Piece of Ground in your Home Town

    Update: gonna be one short for the show. The big guy, Winter has its ways will not be making an appearance. It’s all for the best, though.

    Strange things are afoot at the Circle K.

    Exciting things are happening this weekend. The M.T. Burton Gallery is hosting its first ever Summer Art Opener featuring eight local artists—including myself! Gulp.

    This is a pretty big first for me. I’ve never shown my work. Hell, aside from a framed print I donated for a charity auction last summer, I’ve never even had prints ordered up before. Until now I’ve stuck purely to digital images posted online only. That’s been my comfort zone.

    Now I’m out of it. I’m stepping into unchartered territory, and not without trepidation. I’ve got to be honest, were my friends Jeff Ruemeli (hand blown glass art) and Ben Wurst (reclaimed woodworking) not also participating there’s no way I’d have the courage to go through with this. Power in numbers and all that jazz.

    As for the event, it’s going down this weekend June 6th–8th at the M.T. Burton Gallery in Surf City, New Jersey. If you’re out and about on Long Beach Island this weekend looking for something different to do, stop by and say hello. There’s activities planned for both Friday and Saturday evening—featuring live music, a clam bake, juggling, and more!

    The gallery above represents the ten photographs I’ve selected for the show. Special and serious shout out to Ben Wurst who’s done all the custom reclaimed framing. The work looks spectacular and it wouldn’t be anywhere near as good without his splendid touch. Seriously man, thank you.

  • Ben Wurst, Dialed In

    Photographer and reclaimed wood extraordinare sends out a text to Joe.
    Dialed in — 14mm | f/8 | ISO 100 | EXP 1/60

    It’s not often I photograph people. In fact, it’s pretty damn rare. However, while awkwardly positioned and semi-inverted, I fired off this shot while Ben was texting out our location to friends while we were setting up for sunset at the Stafford Forge Wildlife Management Area this past Sunday.