Greg Molyneux Photography

Tag: 14mm

All photographs tagged here have been taken with a 14mm f/2.8 L II lens.

  • Set Among Them

    Wide angle landscape photograph of phragmites and salt marsh at sunset
    Set Among Them — 14mm | f/8 | ISO 100 | EXP 1/20

    Yesterday I posted what you could call the natural partner to today’s photograph—with all the same ingredients—a handheld shot of phragmites just after sunset. While the clouds front and center in yesterday’s offering were impressive, I think I prefer today’s rendition from an overall shot of the day standpoint. In case anyone is totally confused, today is Sunday and both photographs I’ve mentioned here were made on Friday afternoon, 6 November. More often than not I like to go with one posted photograph per session, but sometimes you come away with a few keepers to share.

    If I had to express what it is I like most about this photograph it would tie back to color, perspective, and movement. I’d also add a elevated sense of preference creeps in because of its departure from my standard workflow, as I discussed yesterday. Here again was another handheld shot, but also from a perspective I don’t regularly utilize. I was up close and personal with the phragmites, sitting among them with my lens no more than 3 feet from the ground and no more than a foot behind the plants at an angle of roughly 15 degrees above the horizon (I’m spitballing here). This coupled with a lazy enough shutter of 1/20 of a second and just enough wind able to create the areas of motion blur you see among the stalks, adding to the sense of place. Close your eyes and you just may hear the breeze.

  • The Other Side of Things

    Wide angle landscape photograph of pastel clouds over phragmites and marsh at sunset
    The Other Side of Things — 14mm | f/8 | ISO 100 | EXP 1/30

    I went old school yesterday—making single bracket handheld exposures along Dock Road just around sunset. Gasp! I took a step back from the usual Tripod Only, Brackets Only, Sunset Only wide angle workflow to which I fall prey. Creature of habit and all. But sometimes you have got to break away.

    Yesterday afternoon offered the chance. Sunset was shaping up to be so-so at best.  So tasked with figuring out how best to salvage to shoot, I took a gander behind me to the northeast exposure and noted some detailed cloud shapes behind me. Photogenic clouds, even. Thinking these may color up when the sun slipped down, I disconnected camera body from tripod and walked across the street. And from there, directly opposite to my initial position, it went. A few purposeful exposures working in the invasive—albeit visually pleasing in the right light—phragmites as a foreground element. The shutter was lazy enough at 1/30 a second to produce a hint of movement in the pesky plants. I’ve got another shot from last night that I will post next that maximizes the movement and lines of the much maligned phragmites.

    The lesson? Always keep your head on a swivel. No need to jump right into the act of shooting. Take the time to scan your environment, observing the landscape from different angles. Break the mode and let go of the status quo.

  • Almost Again

    Wide angle HDR photograph of sunset over Barnegat Bay taken from LBI's Surf City Sunset Park
    Almost Again — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    There’s been a theme this week: sunsets that just miss. The ingredients are there—abundant multi level cloud decks, comfortable temperatures, and enough breaks in the clouds to give hope the sun just might slip through. Saturday was a just miss and Sunday wrought more of the same. While I still managed to walk away with some keepers it’s been hard to not feel left wanting. Even last night—and while I think this is a fine photograph—it could have been more. Yes, the sun managed to poke out just long enough to color up the sky for about 3 minutes, but an ill-timed rain shower put the kibosh on that. For a minute there I thought big time color was going to wash across the sky. Color on par with this past Monday’s. Color that of course I missed.

    Last night I visited Long Beach Island’s Sunset Park in Surf City, NJ. It’s a solid spot but it’s just about getting out of season. With the sun setting further to the south it’s creating some tough angles that offer up some compositional challenges. For reference, in late June the sun will set to the right of where the main bulkhead is pointing, offerings a more over the bay kind of perspective. It may be time to retire this locale from the sunset rotation until late spring. But that doesn’t mean I won’t be back for some wintertime action if the bay decides to freeze over as it has done the past two winters. We shall see.

    And before someone calls the wambulance on my sunset whining, I’m thankful this one managed to be as good as it was. Unlike Saturday and Sunday which seemed like slam dunks, yesterday’s (Thursday) conditions showed the least promise in terms of total cloud cover. Ebbs and flows and on it goes.

  • Sweeping Skies

    Wide angle landscape HDR photograph of wind swept clouds over still water at Stafford Forge
    Sweeping Skies — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Here’s a holdover from Sunday. I’ve gotta be honest: I dismissed this out of hand, and didn’t even bother loading my brackets into Lightroom until today—Wednesday. Related: immediate uploading of the compact flash card into Lightroom as soon as I’m home is my usual standard operating procedure. The reason for my tardiness? I was annoyed the sun never got below such a promising cloud deck to light up the skies that I didn’t even bother to make something of my exposures. It was two days of back-to-back sunset busts, and I figured these shots were trash. I was wrong.

    Buried in here somewhere is a lesson in expectations. In hindsight I’m pleased with how this looks. Backlight by golden hour, the plentiful and sweeping clouds bring movement and good lines into the composition. And while I was hoping for great color to bounce off the mirrored reflection on the lake at Stafford Forge, days later and now I’m happy to make do with the photograph posted here before you. Even if I was standing on a peninsula of muck and disappointment. And speaking of great expectations—particularly ones that go unfulfilled—did any of you New Jersey people see what Monday had to offer? Talk about a top five sunset. Of course I was driving home from work and unable to capture what was certifiably an A+ sky. If I’m honest this light chaser is still cringing over that missed opportunity.

    So here’s to next time, lessons learned, and not letting expectations get in the way. Yeah right.

  • Please Step Forward

    Square format HDR landscape photograph of dock and bay at sunset
    Please Step Forward — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Happy Halloween, you guys.

    Whew—with the obligatory holiday recognition out of the way I can move on to tonight’s photograph. I’m not gonna lie, I hemmed and hawed about posting this one. I’m pretty meh on this shot, but I’m struggling to pinpoint why. Is it because the shot itself is just a going through the motions kind of place holder photograph? Or is it because tonight’s sky seduced me into thinking it was going to color up one hell of a sunset? It’s hard for me to say but either way, here’s a photo I wouldn’t exactly write home about—of course here I am blogging about it so does that even make sense?

    It’s funny how the great sunsets work. They ride a razor’s edge of boom or bust. There needs to be enough cloud action present to render a truly standout sky, but get a few too many clouds extending beyond the westward horizon and it’s cloud out central. That was tonight’s Halloween story: a sky full of grey and pastels nowhere to be found. But even with the miss, this sort of show up and hold your breath approach adds to the excitement and reward of landscape photography. Not too unlike fishing.

    Onward to next time.

  • Subtlety in Familiarity

    Wide angle HDR landscape photograph of ominous clouds backlit by a pastel sunset at Antoinetta's Restaurant
    Subtlety in Familiarity — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Fierce sky tonight, folks. Ominous. Brooding. Ever-changing. A fitting vibe on this the third anniversary of Superstorm Sandy. Context appropriate I made for an old standby location: Antoinetta’s Restaurant, down at the far east end of Cedar Run Dock Road in West Creek, NJ—an area that was beat up pretty bad from the storm. Now closed for the season, at least I think, this pointe will likely feature more regularly in my winter shooting rotation. So huzzah for that. For whatever reason I’ve had some great luck capturing dramatic skies from this spot. Perhaps none more dramatic than this. Or this.

    Not content to simply recreate an oft used composition from this location, I used what nature gave me. In this case? Puddles and some undulating sand—it should be noted I’m obsessed with this kind of sand pattern. It’s a personal Shangri-La I’m always keeping a keen eye for. But we all know sand is fleeting so it’s all about being in the right place at the right time. Either way this combination made for an interesting and complex foreground and thus I set myself and my trip up further back than usual. The key takeaway is this: even though we as shooters return to the same location over and over again doesn’t mean our shots ever have to be the same. Between the sky, natural processes such as erosion, the change of seasons, and even a little rain and/or tidal flooding can make all the difference in rendering subtle changes to seemingly familiar surroundings. No two photographs are ever the same no matter where you stand.

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  • Moonlight Tonight

    Wide angle landscape photograph of a Full Moon over marsh at blue hour
    Moonlight Tonight — 14mm | f/8 | ISO 100 | EXP 10 sec

    Peering through my driver side mirror at 7:02 a.m., having just crossed the Delaware River—Turnpike Toll Bridge into Pennsylvania ,I saw what I thought would be my best shot of the day. My mirror showed the truth: sunrise was gorgeous, and there I was stuck in my car en route from my home state of New Jersey to facilitate a training session for work. The fiery sky was remarkable, grade A stuff, and I had little recourse but to chuckle at my misfortune of missing a sunrise I was actually awake for. Alas bills must be paid, and this guy must digress.

    Home in time for a sunset I assumed I’d bag a good one at the usual stomping grounds. Upon arrival I immediately noticed what appeared to be a Full Moon breaching the northeastern horizon. Content to ignore our natural satellite I set up for sunset. Unfortunately sunset never came. Well, it did—it just happened to be a total letdown. What I could have sworn was an ideal cloud deck resulted in colorless vapor. I was giddy thinking the end of day would watch this morning’s glory but #nope.

    Well into blue hour and hoping to salvage the shoot, I moved my tripod to the other side of the road and made for the Moon. In hindsight I’m pretty damn pleased I did. I don’t have many Moon shots—in fact I don’t think there’s a single one on this website—so it’s nice to add a nice new wrinkle to the cache. I hope you enjoy.

    Related: October has been a good month for photos, and it was needed after a slow September.

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  • This Will Do

    HDR photograph of a smoldering sunset over Stafford Forge
    This Will Do — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    I’m not in love with this shot. Mother Nature did all the heavy lifting today, rendering a slow burning sunset over Stafford Forge. I just kind of showed up and went along for the ride. My “problems” began on arrival. My plan was to revisit the spot Joe and Jackie brought me where I dabbled with a little astrophotography a couple weeks back. Unfortunately when I arrived at the trail there were cars—and where there are cars there are people—and where there are people there is a place Greg will not go.

    Short on time with the sun setting fast, I returned to the front lake. Completely uninspired with my first setup and unsure as to how best to frame my shot, I searched my immediate surroundings looking for anything and everything that could give me a serviceable foreground. About 20 feet away to my left I found the branch you see above and rolled with it. To further my criticism in this airing of grievances the photograph is too right heavy; which is to say there’s just not enough balance from right to left—all the action (re: weight) is happening on that side. Compounding this is the section of longer grass filling the right corner, just behind the branch. Not my best work, but it’ll have to do. On this night Mother Nature gets a B+ and Greg Molyneux is slapped with a C (probably gonna get grounded).

    Website update: I’ve been asked to participate little show coming up at the Little Egg Harbor Library on Thursday, November 12, and was tasked with putting together an artist statement and bio. Considering I went through the trouble I figured why not create a real deal about page and include it? Well, here you go.

  • Look Down On It

    HDR landscape photograph taken at sunset over tide pools and marsh
    Look Down On It — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    I never thought pictures would happen yesterday. With Zombie Outbreak Build Day as the clear priority I put little thought into being able to do both. But thanks to fortuitous timing, some promising clouds, and the good sense (all luck) to actually pack my camera gear, I was able to travel direct from the Joseph A. Citta Scout Reservation—home to this weekend’s haunt—to my regular Dock Road stomping grounds. I had little time or desire to go elsewhere. In spite of feeling my age thanks to a good day of hard work, a rare moment of ambition settled upon me, prying me away from the Sirens’ call of a hot shower and comfortable couch. Not sure what was happening, pictures it was!

    Arriving with the sun nearly down my shot choices were limited. And so necessity mandate I line up where I had done many times before. Only this time I threw in a few compositional wrinkles: first, though less rare than what comes next, I extended the tripod to full height—typically being a low to the ground shooter; second I framed up a shot with the lower 2/3 occupying the lion-share of the frame, leaving the upper 1/3 for the sky alone. For those more familiar with my landscape work you’ll usually see no less than 1/2 the image being sky. None of this is to say I don’t appreciate the ratio of last night’s shot, it’s just that I’m not very good at it. I feel the same about vertically oriented photographs. Whereas my buddy and fellow south Jersey landscape photographer, Ben Wurst, excels in these areas.

    That’s all just a bunch of words to say that while peaking outside ye olde comfort zone yesterday, I managed to produce a solid result. The elevated 2/3 angle brings a perspective to the marsh I’ve struggled to extract. This vantage allows the viewer to better understand the depth and interconnectedness that endear New Jersey’s marshes to many—humans and birds alike.

    And finally a note about this website: this marks post number 200 since launch in January 2014. Woohoo! Obligatory round number dance.