In most any work you attend you’re bound to hit the plateau. Elongated sessions of flat expense flanked by monotony—or worse yet—nothingness. It’s the grind. Lacking the mania and output of the peak, yet devoid the pain and failure of the valley. It’s an uneventful period of low growth. It’s difficult to parse lessons when you’re going through the motions. Instead the best you can do is convince yourself to trust the process. Give yourself the stick with it pat of the back trusting this inglorious stretch, too, must end.
This is where I’m at with my photography. Going through the motions. It started when my iMac died in April. With my workflow disrupted I’ve been struggling for inspiration to get out and shoot. It also hasn’t helped that I’ve missed out on a few great sunsets too. These things happen, though, and I must continue shooting to find it. I’ve been here before and have worked through it each time.
Another caveat in my travail is stagnation. I’m at a point with my work where it all seems more of the same. A shallow veneer atop the same photo we’ve seen before. Salt marsh sunset; wash, rinse, repeat. At least I’ve been making more flower shots this year than in years past, and that’s been a welcome break. Yet I itch for more. Can I scratch for different? A break from the comfort zone feels in order. For some time now I’ve had the urge to dip my toes into portraiture. Ever eager to talk myself out of things, this projected change is ripe for excuse making. First there is the gear investment: lenses, lighting, and some screen type apparatus. Yet it’s the second hill that seems hardest to climb. I need subjects. Real life humans willing to sit and work with a guy who is cutting his teeth with something new. I’ve floated the idea past friends and none are keen to engage. And if they are they’re keeping things coy.
Anyway, thanks for listening to my midnight ramblings as work my thoughts aloud by way of blog post. And besides, now is not the time to get too down—it’s summer!
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