Saturday night and the sky is all right. This weekend I got back on the photo grind and made off into the night with some kind of sunset. Mother Nature threw me a solid and brought out the big guns along the Surf City bayshore. Roughly a dozen sunset dwellers milling about Sunset Park were treated with one of those long burn smoldering skies that for the better part of a half an hour made the world stand still. Cellphones, mirrorless, and SLR cameras alike were put to good use documenting the light show; a frenzy of Instagram posts and rapid collection of likes ensued. For the few folks that rocked out sans camera, free-wheeling leg pumps on the area swing set made for idyllic, stress free viewing. For the few lovers among us the sky brought hearts to bear, setting to light the purity of their affections.
Saturday, August 6, 2016, the unexpected came to pass. Mrs. and Mr. Weather NJ came by to scoop me for a little weekend dinner action on Long Beach Island. We brought along the camera equipment just in case the sunset would pop. We were cutting it close on time and originally decided that Cedar Run Dock Road would be our best photo destination considering the time crunch. Instead—and in true Jon Carr fashion—the turn for Route 9 South was completely missed and with it so too was Dock Road. Insert audible. With what appeared to be a cloud out at our back we made for Surf CitySunset Park. Crossing the new Manahawkin Bay Bridge my expectations were low.
Upon arrival at the park the place was loaded with revelers and cellphone cameras. I always feel good when I see folks out taking in the sights and taking their shot at landscape photography. The more the merrier, I say. To the south a crescent moon could be seen, while to the west a mean shelf cloud was barreling eastward. We had known a line of storms was heading to the area, but honestly the radar was not all that impressive. Are you noticing a theme of underselling the evening yet? Eager to capture the shelfie, I took out the camera and swapped my 100mm lens for the ultra wide 14mm. It seemed like the prudent move except the humidity had a better idea. Instant fog problems—my lens was immediately coated in moisture. That quickly put the kibosh on my shooting—or so I thought.
As the clocked ticked away the initial line of thunderstorms moved through. Aside from a solid gust front and some dramatic clouds, it didn’t produce any lightning or rainfall at our location. Just a few bolts of lightning to the north. A few minutes later things started to get interesting. About 30 miles to our west, over Hammonton, New Jersey, a storm cell began to redevelop. Radar proof need not apply as its growth was betrayed by a towering cumulonimbus cloud growing before our eyes. Like something off the set of Ghostbusters this monolith of water vapor and energy grew larger and closer. Its cloud tops reaching high enough to begin sheering off into an anvil. It was awesome. The gust front, it seems, provided just enough of a trigger to ignite the latent storm growth. As a shooter this presented the perfect opportunity: an isolated cell from the perfect vantage point with no rain to mess up the shot. Also, by now enough time had passed to free my lenses from their foggy prison. I was back in the game.
From there on it was all about finding the optimal frame to capture the Manahawkin Bay Bridge; the impressive cumulonimbus tower; and the pastel glow that reignited at dusk thanks to the angle afford by the high cloud tops. It was the perfect storm—from no expectations came the best storm setup I have encountered to date. From there on out I put my 35mm lens to work, making long exposure after long exposure, hoping to time up a shot just right with a lightning strike. Fortunately I got some cloud to ground action mixed in with a truly dramatic sky. I couldn’t be happier with how things panned out. I now have in my possession my best storm photograph to date.
Oh, and as for food—an LBI dinner never happened. That, too, was an audible to Element on account of large crowds. Sometimes you just have to go with the flow.
Light Up The Senses — 14mm | f/8 | ISO 100 | EXP 1/6
Here it is—photo number 4 from Sunday, June 5, 2016. Real life has negated any and all attempts at photography the past week or so leaving me desperate to go to the well once more. At least its a deep well. A fresh well full of cold, clean water. Sustenance of the highest order—figuratively speaking in this well. Honestly I wanted to post this photo much sooner, but again, see comment regarding real life. Time to digress—
I like this shot. I like it a lot. Sure, the rain drops on my 14mm get in my perfectionist craw, but I will try to embrace the “rawness.” Going vertical for the composition allowed me to bring the sky drama into a more comprehensive view. With the whole of the sky torched in pastel fire, the more conventional landscape orientation wouldn’t convey to the viewer the height and scope of the sky. Fortuitously a little bay wave came crashing over at just the right time, with just enough lazy shutter, to bring movement and detail to the foreground. This serves as an ideal counterbalance to a sunset sky loaded down with endless detail.
With the weekend finally here maybe I can sneak it some time to do a little shooting?
More Sunday action, people. One more to go and then I can finally move on from last week. As far as the sequence of shots goes, this was the first photo made. Before the rainbow and before the sunset I first posted. Rain was just starting to fall and I was enthralled by the orange glow bouncing off the stormy cloud deck. All was awash in orange, and while I was left to hide under gazebo cover as the rains came I made this handheld shot. (Hence the ISO 400 to get the exposure time up to 1/30—no tripod for this one.)
What drew me to this composition, aside from notable light, was the symmetry of the scene. While I try to bring balance to all my shots it’s rare when I center up all the key elements of the frame. That’s essentially what we have here—with the sun just a tick to the left of center. It’s a soothing shot. A calming photograph leaving behind two empty benches to fill in with your own story.
From One End To The Other — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Kicking it back to Sunday again. With light so good you know there’s gonna be at least a few photographs posted from what was a jaw-dropping 15 minute light show. With rain once again falling as the final moments of sun pulsed through a narrow opening in the cloud deck to the west an eastbound and down rainbow was all but inevitable. One quick turn to the oceanside and there it was—arcing majestically over Long Beach Island homes bathed in rich gold. With the pulse rate thumping I did the best I could to capture the rainbow while staying under just enough Sunset Park gazebo coverage to keep my lens dry. I’m not going to sit hacking away at letters on a wireless keyboard pretending this is the kind of composition I would have wanted, but considering the circumstances—notably falling rain and a ticking rainbow clock—this is the best I could muster. And so it goes, shot number two from Sunday. At least one or two more still to come.
The Home Fire Still Burns — 14mm | f/8 | ISO 100 | EXP 1/5
Sunday began what is now day four in a stretch featuring potent storms, dramatic clouds, and fiery sunsets. While I’ve been tied down and largely unable to shoot, it’s been impossible to miss what has to be the best consecutive stretch of sky goodness in recent memory. New Jersey based social media accounts have been set afire with countless jaw-dropping photographs for the better part of a week. Thanks to ubiquitous smartphone adoption the degree of documentation has sailed far beyond unprecedented levels. Everyone is a photographer now, and I think it’s is great. Scrolling through my Instagram feed this week has been a total treat.
Above is my small contribution for the week. This photograph was made at Surf CitySunset Park on Sunday evening. Strong to severe storms were powering across the mid-Atlantic, bringing strong winds and heavy rainfall. Unfortunately the line fizzled just as it made its way to the coast. While a proper shelf cloud never materialized over Barnegat Bay, it was becoming readily apparent the clearing would time up perfectly with sunset. My friends and I bailed from our Barnegat Light thunderstorm position and made our way south into Surf City. From there it all came together. To the east was a properly majestic double rainbow backlit by a stunning array of pink storm clouds. To the west, a potent sunset stretched across the sky. So powerful was the light differential from sun to storm clouds that auto white balance was rendered effectively useless; leaving RAW files cast in a strong purple hue if left untouched. When this extreme is achieved you know you are in the presence of some properly dramatic light play. For me, I was simply dumbfounded; left holding my gear, smiling ear to ear.
This is the Time — 14mm | f/8 | ISO 100 | EXP 1/20
Well folks, we made it. Another Memorial Day Weekend is upon us. The unofficial start of summer for we the people of the LBI Region. A time when hopes and dreams reach their zenith. School is ending. Love is fresh and life is in full bloom. Temperatures rise along with the excitement of a summertime full of memories to be made. Personally the stretch of days that run from Memorial Day Weekend up through and including the Fourth of July represents my absolute favorite portion of the Gregorian calendar. Hands down. I cannot—I will not!—be moved from this position. The days are long and the nights are full of wonder. While it may not be my best stretch for photos, it is a lifelong love affair with this time of year that far and away predates my time as Camera Man. It lifts me greatly from my usual anxiety fueled disposition. Let’s make this summer great. Let’s be kind to one another; let’s hit the beach; and let’s get out there and support our local businesses that rely so heavily on a productive summer season. We can do it. We can set the stage for a good time had by all. We can make it happen.
Wild weather bore down on Surf City’sSunset Park yesterday afternoon. I was fortunate enough to be out storm chasing with JC of Weather NJ fame, and we set up shop on a favorite Long Beach Island bay beach. With a dead west exposure over Barnegat Bay, winds were already ripping from the same direction, and a well defined shelf cloud was easily seen contrasted by the dark brooding cloud shadows behind it. Most striking, however, was the eerie green hue that illuminated the roiling bay water. It was an unnatural savage green, amped by full afternoon sun pouring in unfiltered from the south that was magnified as it bounced off the cumulonimbus cloud bottom. This, in effect, created lighting conditions that would be something akin to millions of pool table lights draped only feet over the bay. It was one heck of a sight. I’m sure my Snapchat followers could hear my excitement. (Not to mention a few expletives born of exuberance.)
No less than two minutes after popping off the photo above, the gust front made landfall, temperatures dropped 20 degrees within 10 seconds (no exaggeration), and the winds went from about 35 mph sustained to ~60 mph. Severe storm criteria is defined as 58 mph winds or greater, and we were certainly there. Of course, the lion’s share of thunder and lightning slipped just to our north, but man it was fun being out there. Talk about a charge of energy. Here’s a short film JC shot to give you a sense of the sandblasting wind. (That’s me standing out there trying to capture cellphone footage.)
Change Your Latitude — 35mm | f/1.4 | ISO 100 | EXP 1/20
I made my way to Surf CitySunset Park last night with modest hopes of capturing a sunset. It’s been a while since I’ve produced some wide angle goodness, and I was eager to get off the schneid. Of course a low level maritime layer brought in a cloud deck to provide just enough blocking of the sun angle. It was a shame too, as the cold air was really firing the pastels on the high level cirrus clouds blocked out by the marine layer. Plans thwarted yet again.
After a few minutes hemming and hawing and with light fading fast, I opted to switch to the 35mm lens to try to make something out of nothing. From there any kind of skill went out the window in favor of unscientifically hoping for the best. Short on light I set my aperture wide open and dangled the camera body about an inch off the shoreline. From there I popped off a few shots hoping to get lucky and find something interesting waiting on my memory card. The result can be seen above. In hindsight I should have stopped down to f/2.8 and bumped my ISO to 400—maybe 640. This would have given me a bit more depth to my area of acceptable focus, and, coupled with the higher ISO, would have given me a bit more sharpness overall. Alas.
