The winds of change — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Few things reinvigorate the spirit like a change in weather. The clouds break, the winds turn and cold, fresh air pours down clean and clear from the northwest. Like a steam roller of inevitability it reminds us winter is coming.
Today was one of those all kind of weather days. Morning took us into early afternoon with clouds, rain, and a dank humid warmth. The afternoon gave way to glow of sunshine and a flash of warmth; a feint reminder of summer gone by. But come sunset the winds had changed and the cold began its lurch across the state. We’re heading down into the low 40s for the the overnight and by morning we’ll all be hugging our loved ones a bit little tighter.
Last Summer fire or first Fall burn? — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
To equinox or not.
At some point today, harried by one pained throat and an equally upset stomach, I determined today was the equinox. How couldn’t it be? It was the 22nd of the month and yesterday wasn’t the equinox, so… Excellent clouds were out and about all throughout the day, and I thought there’s no way in hell I am going to miss an equinox sunset shoot so long as I’m well enough to do so. Driven by my superstitious—watch Ancient Aliens for hours at a time—side comes out, and my mind all but assumes there has to be an outstanding sunset because, hello? Equinox. I mean this is just how the universe works. In honor of this assured collision of cosmic forces, I decided to up the ante and shoot from a new location: Barnegat Light.
The 23rd?!? Really?
Seriously? I can’t ever remember a solstice or an equinox happening on a 23rd. Insert incredulity.
When I learned this I was already en route. Tweeting my despair I soon learned all was not lost. There was a technicality that would save me yet! Fall, you see, arrives at 10:29 p.m. for those of us on the East Coast. So while this photograph was taken during Summer, it’s still on the date with which Fall will arrive. Convenient.
None of this, however, speaks for the real show. That sky. Wow. It all came together today. The air was remarkably clear, with the cold front that passed through last night visibility far exceeded its norm, making from uniquely sharp conditions. The cloud striations were great, the colors magical, and the air pure. It was a sight to behold in person, and I am so pleased to have a capture to share with you. This shot has vaulted to the top of my personal favorites. It’s gonna be a tall order to better this sunset. You’re on notice, solstice.
And the orange glow — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
I came away with two shots from last night’s sunset shoot. The one I posted yesterday and the one you see above. Only minutes after the first photograph, the sky had undergone a rapid transformation. From the deep blue sky and dramatic clouds to the smooth orange glow backed by an almost turquoise sky that we see here. Once that sun came under the cloud draping just over the horizon the warmth of the sunlight changed—dialing up the orange and yellow and intensifying shadows. This is a big part of what make sunset (or sunrise) so exciting—you can have numerous stunning scenes in the span of one half hour.
I took fifteen shots tonight. This was the first. Taken blind from an outstretched arm dangling inches from the ground. Sometimes it works out that way.
Other than purposefully taking this shot wide open it was a crap shoot; a hopeful aim in a general direction—in this case at marsh grass backed-up by the setting sun. I’d say this was a nice change of piece to my usual sunset routine.
A narrower view — 40mm | f/8 | ISO 100 | 3 Bracketed Exposures
Just about everything was different with tonight’s shoot. For whatever reason I hopped out of the car, scanned the scene, and decided today would be a good day for shooting with my 40mm. It’s not too often I shoot landscape with my 40mm pancake, and considering today’s results I’d do best to work it into the landscape/sunset rotation on the regular. Seriously, this is the work of three bracketed shots—handheld no less—on a prime lens that costs a little over $100! I can’t recommend it enough, especially for the full frame shooters out there.
The other departure from the norm, aside from ditching the tripod and bailing on my usual manual focusing with my 14mm, came from Mother Nature herself. More often than not—it unscientifically feels greater than 90% in my experience—the optimal color range occurs after the sun goes down. By the time I grabbed my tripod, switched to my 14mm, and waited for the sun to sink below horizontal, the best light had come and gone. It was my 40 and my bare hands that made it work tonight. Photography is never without surprises.
Wherever possible I try to get my photos on the computer and processed with little time wasted. Doing so closes out my mental workflow. In a relatively short period of time I’m able to produce something tangible (digitally speaking) to share with you. I, in turn, get to let go and immediately transition my brain to the next shot. Photography is liberating in this way: I build an online archive to record my evolution, quite literally storing the past, to do my remembering for me. Perhaps it’s not without irony that this virtual memory bank releases me to quickly and naturally forget. My past work goes out with the old—paving the way for the new. To chasing the better shot. To knowing I have to be there, at all times, ready to shoot, over and over again; committed to waiting out that perfect light I’ve been chasing for years. Anticipating that future pay-off is what drives this passion of mine. Pushing me ever forward with my craft.
How does this relate to this shot? This is a holdover from last week. Taken on the Eleventh of September. It’s hung with me for a while. I attended my cousin’s wedding (a lovely affair) this weekend, and with the travel schedule this post went by the wayside. Thinking back to that day last week, 9/11, I did my best to reconcile this day. Its meaning. The mighty weight that comes with it. It’s an open wound for us all, and a thousand fold for all our brothers and sisters directly affected.
It’s impossible to find words, at least for me, that do any justice with respect to that day. The best I can do is continue to hope the world manages to find its way and work toward a more perfect future. One where future generations can look back with incredulity at how petty our differences once were. In the meantime, all the best forever and always to the victims, first responders, and family and friends to all who were dealt such senseless wrath.
Some days the sun goes out in style — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
… and leaves us in awe.
I’m certainly glad I made it over to Sunset Point in Ship Bottom, New Jersey for what turned out to be some top shelf sunsetting action. There were plenty other revelers to take in the visual mastery, too. Related: I was most pleased to see those in attendance hang out with their cellphone cameras for the pastel explosion that came about 10 minutes after sunset. They were rewarded for their patience. All too often I see other photographers get in there car and leave moments before the color takes it up a notch.
Tonight was a perfect example. What started out as 50/50 with a chance of being clouded out turned into one of the better sunsets I’ve seen. I’ve lucked out twice this week. I am not complaining.
This is how you sunset — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Thank you, Mother Nature. I am one shimmying fool.
It’s been a long time, man (and women and boys and girls). Sunsets have been alluding me for the better part of Summer. That certainly changed with a flourish today. As I was down on Dock Road shooting I honestly didn’t know what direction to fix my tripod. With three hundred and sixty degrees of awesomesauce happening it was damn hard to choose.
In the end I went a few I my favorite things: I was able to get the octagon house in the shot and the Moon. Excellent. Seriously though, this one is all on happenstance. The sky produced with unreal cloud patterns and color this day. All I had to do was show up.
