The brooding Hyacinth — 100mm | f/4 | ISO 100 | EXP 1/200
I’ve been waiting for this little guy to show up—one of my favorite early season flowers. At this point I was beginning to think it wasn’t gonna show this year. But finally, just the other day, this lone Hyacinth finally reared its welcomed head. Now ready for the camera, I spent some time this afternoon snagging a few macro photographs.
Taking my first look at the shots in Lightroom, it became quickly apparent that sticking with color was going to be rather ho-hum. Fortunately, some strong contrast added to a black and white finish really stepped up the intensity to demand more attention.
Tonight was a tease. All signs pointed toward a top notch sunset: rolling storm clouds, a clearing westward cloud deck, and even some small rainbows dancing about the horizon. The ground and houses were awash in a fierce golden light and the anticipation was on.
Heh. So much for that.
A last minute wall of clouds crept over the western sky consuming the sun some twelve minutes earlier than scheduled. This stout blockade all but assured the sky wouldn’t do its fickle light dance this night. But you know what? It worked out. My buddy Vin happened to stop by for pictures as well. Instead of seriously shooting the sunset we thought we were getting, we passed some time talking shop. In doing so I captured one 360 second long exposure photograph—the picture you see above.
For the final processed imaged I wanted to convey movement and minimalism. Black and white naturally lends itself to this aim, but I furthered the drama with a low key approach—reducing the exposure and reigning in the viewer’s eye toward the action above and below the horizon; leaving ample negative space gives the image room to breathe, naturally working the eye through the moving clouds toward the center.
If you’ve got some time be sure to check out Vin’s work!
Callery pears and a little bit of whimsy — 40mm | f/3.5 | ISO 100 | EXP 1/125
After work yesterday I was milling about my front yard taking in the fresh blossoms and the last of the late day sun. Three cheers for later sunsets. At this early stage of Spring my two callery pear trees are in their full blooming glory. As the fading light of golden hour was dancing on the blossoms I made a quick shot with my mobile phone for Instagram. Inspired, I thought let me grab my camera and make an even better picture.
Racing against fading light I grabbed my Canon, affixed my 40mm pancake, and fired off some shots. Sticking with a similar vibe from the cell phone photograph, I kept my lens pointed skyward, selectively focusing on the branch and blossoms at the bottom left of the capture. When it came time for post-processing I was running through some packaged presets in Nik Software’s Color Efex Pro 4. I happily settled on the film grain preset. I felt the high key treatment really brought out the pastels and subtle hints of yellow and gold from the departing sun, and the grain brought an appropriately aged feel. This type of photograph is a departure from my norm—making it all the more worthwhile. I hope you enjoy.
It feels like forever since I’ve gotten out for a sunset. Fortunately, conditions worked out tonight providing a solid setup for shooting. To change things up I made for Sunset Park in Surf City. I figured I’d give Barnegat Bay some love. I’ve always liked the vantage point here, especially in Spring and Summer months, but sometimes struggle framing up an interesting foreground. Tonight I went with the bulkhead to fairly pleasing results. Except I made one key mistake. I made these seven bracketed exposures at an aperture of f/3.2—almost wide open and hardly conducive for sharp images. I adjusted my post processing approach accordingly.
Hoping to take you away — 40mm | f/8 | ISO 100 | EXP 1/20
Friends and I decided to make our way to Washington D.C. this weekend to behold what is peak season of the District’s famed cherry blossoms. About a million other people had the same idea.
Battling crowds, long walks, and beautiful weather, we made our way about the National Mall. Craning our necks toward monuments from afar, and making a late afternoon pit stop at the National Cherry Blossom Festival. One chicken on a stick and some cosplay people watching later and we were making our way back toward the Tidal Basin for the would-be glory of golden hour.
Fighting throngs of revelers making the most of the wondrous spring weather, it became readily apparent that making any kind of sweeping landscape shot was not going to happen. There was simply too many people armed with camera phones to set up shop. My friends and I resorted to bumping our way through the crowds firing off occasional shots whenever we had a moment to breathe and extend our elbows.
All complaints aside, it was a good time had by all.
It doesn’t matter; it’s in the past — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
Lazy poster alert
This photograph is a holdover from this past Sunday and I’m only now—Friday afternoon—getting around to posting it. As it was a Sunday evening I had more pressing priorities, ya know, Game of Thrones premiere and stuff like that. As for why I couldn’t post it some other time this week? Well, I have no excuse. Except baseball.
Thinking back to last Sunday conditions were cold. And windy. I was greeted by a nice headwind off Barnegat Bay as I was making my bracketed exposures and was concerned that sturdy tripod be damned, I’d face some camera shake. Fortunately the sharpness seems solid enough so I don’t think it was much of a factor. The low-lying clouds hanging just above the horizon was actually smoke from an area forest fire that happened in Chatsworth, New Jersey, Sunday afternoon. To my knowledge it was not a controlled burn. Hopefully the damage wasn’t too extensive.
This spot, while on Cedar Run Dock Road, was a new vantage point for me. All in all, not a bad spot.
Upcoming
I’m heading down to Washington D.C. on Saturday afternoon with some friends for the Cherry Blossom Festival. With any luck I’ll have a few pictures to share. Until then happy weekend!
Beset by light — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures
It’s been a while. Thanks to poor weather, uneventful skies, the return of major league baseball season, and poor scheduling I haven’t been out shooting in almost two weeks. And while it’s good to step away, double digit sabbaticals get a bit too long for me. Suffice to say, I’ve been jonesing.
With what looked to be a solid setup I made for the Stafford Forge Wildlife Management Area. It had recently gone through a scheduled controlled burn and all the undergrowth had been taken down to sooty black earth weeks ago, yet low green was already beginning to thrive in the nutrient rich remnants. Fire is life down here in the pines. It’s just amazing how quickly this place can transform in a manner of weeks. I took a picture of the clearing riddled with nascent grasses that I’ll post tomorrow.
As for tonight’s picture, well after some largely meh long exposure attempts I switched on the fly and transitioned to bracketed exposures as the sky really started doing its thing. It played it coy tonight, colors were tempered and muted well past the sun slinking under the horizon until suddenly the lights really came on. I particularly like how the offset oranges and reds to the right reach across to kiss the golden marsh grasses to the bottom left. For me, it makes the photograph. I hope you enjoy.
Getting my feet wet — 14mm | f/8 | ISO 100 | EXP 1/50
This all wound up better than expected.
First I was hemming and hawing about whether to get out there and shoot; the setup was meh worthy at best, its lone saving grace a distinct color cast from scheduled controlled burns in the area. I packed my car. I looked up one last time. I unpacked my car. In the end it was packed again.
Unsure where to go I wound up on 13th street in Ship Bottom, New Jersey. With a quick glance south I saw there was a small batch of exposed jetty rock about five blocks down. I dashed back to my car, strapped on my gear and began my walk against fading light.
I began photographing. Making what I would minutes later find out to be a hack-job move of not making sure my focus was dialed in. Shots wasted. Light wasted.
Annoyed I ditched the tripod and decided I would race in against the receding waves in an attempt to get low angle close ups of the jetty rock. In my desire to get a well composed, properly metered photograph I hung too long and took water up to my shins. Cold water. Most importantly, all equipment was safe.
At this point I’m just thinking this isn’t my day. To rub salt in the wounds, I look west over the berms and ocean front homes to notice their silhouette emblazoned by a fiery sunset. Opportunity lost. But at least I got wet, right?
As really nothing more than a I’m gonna hunch over and dangle my camera an inch off the sand while approaching surf comes and goes around me and hope for the best shot, I got my picture above. And honestly, I’m damn pleased I struggled out there today.
Onward with the black and white binge—I knew straight away I’d at least have to give this a look sans color. To that end, I needed this image to be dark. Dark with strong contrast to render well defined edges.The lines marking the three petals draw the eye inward toward the center bouquet of pistils. There, floating, the eye hangs with the image gradually letting you pull back out.
