Greg Molyneux Photography

Tag: surf city

  • Better Off Bayside

    Better Off Bayside

    Landscape photograph of wispy clouds and a calm Barnegat Bay at sunset
    Better Off Bayside — 14mm | f/8 | ISO 100 | EXP 1/80

    I thought about ending this photograph’s title with a question mark to convey the right inflection to reflect my second guessing as where to shoot yesterday. After Friday’s snow I was back to my regularly scheduled sunset shooting on Saturday. Initially I was going to head to Great Bay Boulevard, but idling at the intersection of Nautilus and Route 72 I had a change of heart. Perhaps not up for the longer drive due to hunger I tossed the plan and made for Surf City’s Sunset Park.

    While this spot seldom disappoints I knew I was taking a bit of a gamble. Over the winter months, as well as the tail end of fall and early spring, with the sun setting at a more southwest orientation it’s sometimes difficult to make a good angle from this purely westward facing spot. For that reason I abandoned bringing the sun disk into the frame. Relying on theater of the mind the sun can be envisioned off screen quite far to the left of my frame. This all worked out, however, with soft wisps of clouds coloring up nicely over the lightly rolling three inch waves lapping the sand and pebbles just on shore.

    It was a peaceful seen along Barnegat Bay, and several revelers made it to the shoreline to say goodbye to the day. At least three or four folks with their cameras, and what looked to be a gentleman tucked away in the northwest corner possibly making a time lapse. It’s always nice to see others making the most of the sunset muse. Yet with that my focus shifts back to the upcoming snow potential across the mid-Atlantic over the next 72 hours; because where there’s snow potential, there’s photo potential.

    Interested in buying? Purchase

  • Almost Again

    Wide angle HDR photograph of sunset over Barnegat Bay taken from LBI's Surf City Sunset Park
    Almost Again — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    There’s been a theme this week: sunsets that just miss. The ingredients are there—abundant multi level cloud decks, comfortable temperatures, and enough breaks in the clouds to give hope the sun just might slip through. Saturday was a just miss and Sunday wrought more of the same. While I still managed to walk away with some keepers it’s been hard to not feel left wanting. Even last night—and while I think this is a fine photograph—it could have been more. Yes, the sun managed to poke out just long enough to color up the sky for about 3 minutes, but an ill-timed rain shower put the kibosh on that. For a minute there I thought big time color was going to wash across the sky. Color on par with this past Monday’s. Color that of course I missed.

    Last night I visited Long Beach Island’s Sunset Park in Surf City, NJ. It’s a solid spot but it’s just about getting out of season. With the sun setting further to the south it’s creating some tough angles that offer up some compositional challenges. For reference, in late June the sun will set to the right of where the main bulkhead is pointing, offerings a more over the bay kind of perspective. It may be time to retire this locale from the sunset rotation until late spring. But that doesn’t mean I won’t be back for some wintertime action if the bay decides to freeze over as it has done the past two winters. We shall see.

    And before someone calls the wambulance on my sunset whining, I’m thankful this one managed to be as good as it was. Unlike Saturday and Sunday which seemed like slam dunks, yesterday’s (Thursday) conditions showed the least promise in terms of total cloud cover. Ebbs and flows and on it goes.

  • The Demons of Our Dreams

    Wide angle long exposure photograph of a demonic shelf cloud over Barnegat Bay
    The Demons of Our Dreams — 14mm | f/2.8 | ISO 100 | EXP 30 sec

    When I’m titling my photographs I most always go with the first word, phrase, song lyric, or bit of text that comes to mind. It’s a quick and easy approach that keeps me from overthinking my named works. I broke that rule today. I wanted to go with Death Comes for us All, but an apprehensive voice inside me chided that might come across too strong. Death’s a touchy subject, and I’m not here consciously looking to set off any triggers. Ergo I downgraded to demons.

    What led to the death/demon connection in the first place? Well as I look at the 30 second long exposure rendering of this photograph, with its low hanging shelf cloud accentuated by motion blur marching across Barnegat Bay; a Titan’s visage, gaunt and brooding, manifests pressing downward through the clouds ready to escape its confines to breach the bay and do its worst. It is both spooky and spectacular—natures reminder of the omnipotence of the universe and our fleeting moments hurtling about our own speck of space.

    This photo session started out as an attempt to capture a less abstract look at storm clouds, and even more specifically some lightning. Instead something wholly unexpected manifested on the sensor. That’s the way photography goes sometimes, and it’s important for us to always keep an open mind to the unintended outcomes it may render.

  • Take Your Place Amongst the Revelers

    HDR photograph of a fiery sunset over Barnegat Bay as seen from Surf City, NJ
    Take Your Place Amongst the Revelers — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Last night’s sunset was well attended—emphasis on well. Unsurprising in hindsight, on a gorgeous mid-Summer Saturday night, Surf City’s little Sunset Park must have drawn in some 40-plus revelers to capture the final few moments of the Earth’s daily rotation away from the Sun. It was great to see such enthusiasm from the populace.

    Of course seeing and shooting are two different things, and it didn’t take long for me to realize I had chosen my final destination poorly. You see as the human headcount in any one spot increases, the ability to carve out a good, unobstructed view with a wide angle lens rears its limitations quickly. Unable to position myself with a more northward facing angle, where the most interesting clouds—both in shape and color—were marking the sky, I was left with no choice but to look out due west. Essentially recreating this shot from May 2014. Even with my little spot carved out I still had a few visitors get close enough for a hand or foot to sneak its way into my frame. Though I can hardly blame them: before I had gotten into photography I had no appreciation for just how wide a shot really can be.

    At the end of the day I was able to come away with a serviceable enough photo. I just wish I didn’t feel at odds with myself; on the one hand bummed that I couldn’t hunt for an ideal exposure like I usually do, and on the other hand self-conscious about feeling like my presence is just getting in everybody else’s way. Folks enjoying their vacation time looking to get a good cellphone shot don’t want to have to deal with tripod laden space hogs such as myself.

    ¯\_(ツ)_/¯

  • Fleeting Moments

    HDR sunset photograph from Sunset Park, Surf City as the last rays of the sun break through storm clouds
    Fleeting Moments — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Nap time was interrupted by the threat of sunset. With the last line of storm clouds racing east it was a run against the clock to see if the back edge of clearing would make it over the horizon. It did. Only the cloud deck was too low and the post sundown coloration that makes a sunset so great never materialized. Instead I have this one—not a bad shot per se but littered with lens flares and water droplets on my lens. Regardless, I’m just going to work with what I’ve got and move onto next time.

  • Work with what you got

    Wispy cirrus clouds shaded in pink pastels mark the sky over Barnegat Bay in this wide angle HDR photograph taken just after sunset in Surf City, New Jersey.
    Work with what you got — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    You’re always rolling the dice when the time comes to pick your sunset photo spot; balancing time, travel distance, cloud cover/formation and the look you’re trying to achieve. Some days the decision is clear. Others? Not so much.

    This day I decided on Sunset Park in Surf City with no hesitation. I opted to head to LBI’s bayside to enjoy both the views and the warming weather. Freshly full of chicken parmesan I was as sated as I was ready. Or so I thought.

    From the get-go I had an uneasy time finding a composition would inspire. This coupled with paranoia that this sky, like so many skies before it, was not going to color up had me ready to throw in the towel. But since I seem to have a thing for foreground rocks from this location, I locked in my tripod and began to wait (re: hope).

    With an about face I took a look eastward; out over the houses and toward the ocean. What I watched unfold over the next 10 minutes was equal parts excitement and misery. The evening sky to the east, running against even the most sound intuition, exploded in array of pastel color that sets light chasers like me into a tizzy. And there was nothing I could do about it. Here I was locked in, laying in the bed I made. And while the sky still colored up nicely in its more traditional westward direction, it didn’t come close to drama that happened right behind by back.

  • The Child King’s Throne of Wonder

    Wide angle sepia photograph of two swings over the sand at Surf City Sunset Park
    The Child King’s Throne of Wonder — 14mm | f/2.8 | ISO 100 | EXP 1/100

    Swing, child

    Go.

    Pump.

    Fly.

    Picture taking has been sparse lately, and while I was hoping to catch a sunset last night it was obvious upon arrival at Surf City Sunset Park the sky was a bust. Jonesing to shoot for the first time in weeks, I first fixed my 50mm and made a few exposures of objects about the park, playing with shallow depth of field. I soon switched over to my 14mm and used the lens in a way I rarely have. I switched it to auto focus for the first time in at least a year, set my aperture to a wide open f/2.8 and got as close to the front swing as I could—in the handheld shot above my lens glass was no more than three inches from the front right corner of the swing itself.

    At the end of the day the question is simple: who doesn’t remember the swings of their youth and smile?

  • On matters of motion

    In this seascape photograph, Atlantic Ocean tidal waters ebb and flow as seawater races around jetty rock as gravity pulls the water back to the sea
    On matters of motion — 14mm | f/8 | ISO 100 | EXP 1/13

    Sometimes you just have to press your shutter and hope. Sometimes it’s better to be lucky than good. With wave action coming in fast I had to be quick on my feet and steady with my hands so as to avoid any kind of camera tragedy of the saltwater kind. All the while operating blind. Let me explain:

    With my lens hyperfocal distance set just left of infinity I knew any objects a hair over a foot away from the back of my camera ALL the way to the horizon would be tack sharp and in focus. What I didn’t know was my composition. Left to aim in a general direction of jetty rock and lapping ocean, I kept firing off exposures while retreating from the wave action. Wash, rinse, repeat for a good 15 minutes—I’m certain the fine family and surf fishermen nearby thought me nuts. Under ideal circumstances I would have laid in the sand and eyed up the shot in my viewfinder like any proper photographer would. But that position would have put my equipment in too much peril; I wouldn’t have been able to pop up and escape the waves quick enough. That was not a risk I was willing to take.

    So I was stuck hoping for the best. And while I do like this shot, the prior Next time?

    If this photo tickled your fancy check out my other one from Sunday—I timed the waves crashing on a piece of jetty rock just right.

  • Watch the spray

    A blue hour photograph featuring ocean spray bursting behind a lone foreground jetty rock sending water in all directions
    Watch the spray — 14mm | f/8 | ISO 100 | EXP 1/50

    I made it up to the ocean tonight. I’m glad I did. Between the meh clouds and a tide chart noting a low tide coinciding with sunset the decision was pretty easy.

    I probably don’t photograph the ocean as often as I should—I imagine this has something to do with my not a morning person status. Sunrise is the time to go, I’m just too lazy.

    But tonight it did not matter. The light was great. The tide was out. The jetty exposed and the day glow stellar. The only thing that was going to impede my shooting tonight was the wave action under my tripod. For this reason I had to go handheld.

    There was a lone piece of jetty rock set about 6 feet away from the main jetty. Between waves I was running up to the rock, dangling my camera about 3 inches from the sand, and trying to time the shutter with water spray firing off said rock. Since I was shooting a mere 15 inches from the jetty rock, the big risk was getting myself and my camera out of there before the spray got to me. All went well, and I got a sweet shot.