All photographs tagged here have been taken with a 14mm f/2.8 L II lens.
I’m not one to usually post numerous treatments of the same photograph, but I thought it made sense here for comparison’s sake. But the more I think about it now, I’m beginning to prefer the color treatment over the black and white I posted previously.
For months now I’ve had my eye on an ND filter. I’ve been coveting the sublime long exposure work of talented fine art photographers and hoped to someday begin learning their craft and working it into my repertoire. After a bit of research—and some savings—I figured out everything I’d need to get a filter mounted on my convex 14mm wide angle lens. A simple threaded filter on a flat lens was not an option for me.
Today it all came together. My filter mount, adapter, and 10-stop ND filter were finally off of the internet and into my hands. After a brief period of test setup in my house, I figured out how the system would work, repacked my camera bag due to new found size constraints, and headed out to Great Bay Boulevard for my first round of experimentation. My buddy Jeff was hip to come along which was key this time out as having an extra pair of hands proved helpful—sliding 6.5″ by 6.5″ filter plate into position while trying not to smudge any of the resin filter is quite a task. I probably will invest in some linen gloves in the future.
The picture about was taken (started) about 5 minutes after sundown and was an open shutter for a total of 300 seconds—that’s 5 minutes for those scoring at home. I can’t wait to get back out and try again tomorrow!
Yep—
This is what I’ve been waiting for. The perfect storm of a snow covered marsh, expressive clouds and an explosion of color. The occasional visits of the Polar Vortex this year have served to paint the most dramatic skies; and tonight just may have been the best of all. I shan’t distract you from the photograph with any more words and I hope you enjoy.
Here’s my sunset shot from yesterday—I was out for an evening of dining and drinks in Atlantic City with friends celebrating a birthday and was unable to post. A good time was had by all.
This was taken on Cedar Run Dock Road and I’ve composed a photograph from this very location before. While the colors weren’t as explosive as they’ve been other times this winter, the cloud definition was intricate and brooding, teasing topside color that was just out of reach. With about 20% less cloud cover and the sun would have gotten below the cloud deck and painted the sky with its gifted hand. Alas it wasn’t meant to be.
I opted to cross process this image, which is already a composite of 7 bracketed exposures, smoothing out the image with a calming blue tone. It more fit the mood of the blue-grey day I was seeing out there on the marsh. Snow is coming and the sky was letting us know.
I was pressed for time yesterday and unable to post this shot before the Downton Abbey season finale and True Detective. Priorities, you know?
Prior to all that I made my way to the Edwin B. Forsythe Wildlife Refuge to meet up with my buddy Jon and his mom. Ever since I’ve known about this place I’ve lusted over its obvious sunset potential; sprawling vistas, abundant wildlife, marshland for miles, and plenty of set ups with workable foregrounds. Oh, and birds.
Going into the shoot I knew exactly where I wanted to setup: toward the southeast end of the refuge is a beachhead with exposed pilings and jetty rock. Jon on I hopped out of our vehicles, scampered off the dirt road down the shallow berm and onto the beach. Not exactly Normandy. We bandied about framing shots all about the beach until we honed in our tripods and set ups.
And let picture making ensue. No? No.
Just as I began firing off bracketed exposures an innocuous minivan slowed to a stop. A friendly voice hailed down and after the obligatory pleasantries I was politely told I couldn’t be where I was. In fact, I was told no one may actually step off the roadway—anything in the refuge beyond those bounds is off limits. The good news? Nesting doesn’t begin until April, 1, I learned, so thankfully no wildlife or habitat was put in jeopardy. The attendant was kind enough to let us make our shots real quick and then return to the road. It was the most cordial reprimand ever.
Yesterday I learned I can no longer exploit the refuge for its once perceived wide angle landscape potential. Instead, I’ll take my bird appreciation to the next level and get myself a proper telelphoto lens and make the most of this beautiful place come Spring.
Yesterday photography happened by dawn, dusk, and night. By the time the evening rolled around my friends and I were hoping to head into the Pinelands for some astrophotography at Bodine Field. By the time it came time to head out a quick look skyward to us all we needed to know—we were clouded out.
Plan B.
And nothing sounds more official than a Plan B.
We quickly readjusted focus and turned our destination toward Great Bay Boulevard. We had designs on incorporating Atlantic City and the brooding clouds into our shots. I only made a few exposures and when I cam home to process I decided pretty early on that I wanted go black and white. A nice moody monochrome, dark and evocative. I’m happy with the result.
As for the title, Black stars rise, this is an homage to my new favorite obsession, HBO’s True Detective. Fantastic stuff that has my mind running.
It’s time, isn’t it? The black star. Black stars rise. I know what happens next. I saw you in my dream. You’re in Carcosa now, with me. He sees you. You’ll do this again. Time is a flat circle.
Literally.
I’ve gotta say, it’s been a pretty solid day of shooting. It started out with this morning’s pleasantries on the beaches of Ship Bottom and ended with the deepening blue skies of a Dock Road blue hour. Since I spend so much of my time photographing the marshes of Cedar Run Dock Road, I figured the least I could do is give the actual road some love. Besides, what else is there to shoot during a sunset that is sans clouds? Also, I’m noticing in my evolution as a photographer that I have a thing for signs.
Worth mentioning: I ran into my old buddy Vin. He was there with his new Nikon D80o. We got to talk shop and take some photos; he gave me some good pointers for potential printing arrangements should I ever get that off the ground. All in all it was a good day.
I’m not exactly a morning person so it’s not everyday I buck-up, pop the cot and go shoot a sunrise. But with a fellow photo buddy in town it’s a little easier to find the motivation.
Conditions were pretty excellent this morning, comfortable temperatures with a cool early day glow left me thinking I’m real excited to be here. I spent my initial shooting going for the obligatory up against the shoreline shot. This was decidedly meh. The jetty rock I thought would be there had not so amusingly vanished, and there was nothing passable for an interesting foreground. When my buddy Jon walked over and showed me some shots he was making on his viewfinder, I saw he was making good use of the dune fence as foreground and I decided then I was going to follow his lead.
Enter the shot before you.
The swooping cloud formation, for me, creates a most interesting effect. It has the look of a crescent moon that’s dominating the daybreak sky, pressing its weight and looming ominously. Counterbalanced by the movement and lines of the foreground dune fence it makes for a well balanced scene. Getting up early was worth it.
Related: I spent three great summers (2003–2005) manning the tools of ignorance for Ship Bottom, NJ Public Works. Three great summers of stretching dune fence. Every season we’d be replacing broken fence and even running whole sections of the stuff for blocks. Nothing like spending your days with your buddies, a couple pairs of post hole diggers, and some dune fence. It was simple labor but it always paid off going home each day having made real tangible results toward keeping our beaches clean and beautiful. Plus we got to see the sunrise each day. I miss that job.
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Yesterday—this being posted a day late—was shaping up as one of those sunsets that look good on paper. A quick look out the window 90 minutes prior to the sun’s scheduled egress looked promising; bountiful clouds with dramatic bottom-side shadows littered the sky. I was pleased. Yet as it has done so many times before, the fickle clouds made their final escape no less than a half hour prior to sundown, leaving a blank canvas of deepening blue sky.
Disappointed? Maybe a little. But I still liked what I saw. I had a suspicion my location and the clear sky color gradient would make for a more than serviceable black and white. After a few test shots trying to make something out of nothing I abandoned the tripod and took the camera in my hands. Occasionally I do this thing in the fading light where I move my hands across the horizon from left to right as a lazy shutter—1/15 of a second in this case—makes its exposure. This creates a softened blur that if you’re lucky enough evokes its own kind of whimsy.