35mm blue hour photograph with the bay in the foreground and a razor thin strip of Long Beach Island in the background. Panning and a slow shudder brings motion blur into the peaceful, minimalist image.

The Line

35mm blue hour photograph with the bay in the foreground and a razor thin strip of Long Beach Island in the background. Panning and a slow shudder brings motion blur into the peaceful, minimalist image.
The Line — 35mm | f/8 | ISO 100 | EXP 0.4 sec

Hello website, I am back. Back to autumn. Back to September 25, 2021. To the same Cedar Run Dock Road evening where I made another motion blur pan shot photograph, Peace Where We Can. In a trick of light, The Line is cast in the moody blue tones of the eponymous blue hour. Meanwhile Peace Where We Can smolders in the waning embers of sunset. Now you might be saying so what? Well so what is that I photographed The Line first. Depending on the direction you look the last light of day refracts different. More so it changes by the moment. These fluid transformations require the greatest focus of observation. Move your eyes across the whole ring of the horizon less you never see what colors behind you.

Let’s talk nuts and bolts. This is a stripped down, minimalist image. It’s monochrome color scheme and open space allows the mind to range free. Your mind wants to build a boat to paddle out over to the far horizon. A razor’s edge at the end of the world. Is it a barrier? A gateway? A threshold? Is it the last refuge or the first place of welcome? Or maybe it’s just a place where people eat french fries? Well, it’s sort of all of that. It’s Long Beach Island. The line at the edge of my world since 1993. A place I’ve long looked out upon but never quite understood. Somehow always feeling a touch too far out to sea. My very own Tol Eressëa.

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