Tag: bridges

  • The Old Wood Span

    The Old Wood Span

    Golden hour photo of a wood bridge spanning a stretch of water.
    The Old Wood Span — 14mm | f/8 | ISO 100 | EXP 1/30

    To the romance of wood. The fuel of the hearth. The bones of the home. The backdrop of the written word. Nailed to the story of man wood’s place in civilization’s ascent is both secure and unsung. Its importance overshadowed by the power of stone, bronze, and iron. Perhaps there being no Wood Age—nor great monuments to its own—lends to its secondary status. Regardless, the power of the trees have freed us from the land and we should not forget.

    While it has not the historical cachet of stone, bronze, or iron, it does invoke the warm feelings of a simpler time. This is where my mind runs when I look upon old, well-fashioned wooden structures. From an early age wood crafts, buildings, bridges, and even roller coasters fired my interest. The fine tuned skill and the care left behind from the souls who put all into their work. Underneath that work is history. Who built this? Where did they master their craft?And with whom? When was it built? How long did it take? And what of the material? Is it oak? Is it ash or pine? Where was it milled? From forest to work site to finished structure is where the grand narrative sits. For while this is the story of but one bridge, it’s the story of the bulwark of our civilization writ large. For ours is a story warmed by it, built upon it, and sheltered underneath it—the shaded age of wood has never ceased to be.

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  • Drop in a Scene

    Drop in a Scene

    Golden hour landscape photo over creek and wooden bridge.
    Drop in a Scene — 14mm | f/8 | ISO 100 | EXP 1/25

    I invite you to journey with me. But first you much breathe. Close your eyes and breathe. Inhale. Exhale. Slow your mind and follow your breath. In. Out. Deep breaths at first. Three or four long inhalations followed by slow and steady exhalation. Focusing on the breath. In. Out. Forget about the world. Repeat. Now let your breath find its way back to its natural rhythm. Let the calm wash over you. In. Out. All in its own time. Ah yes, now you are ready to go.

    Now open your mind and drift. Drift as the dancing leaf carried on an inspired breeze, unencumbered—free. Slow and calm you descend. In. Out. With your mind settled to a natural focus you transport to a sense of place. A place of warmth—of hope and possibility. A place of sprawling green, flowing water, and the sweet kiss of waning summer sun. A scene to soothe the soul. Stay in that place, bathed in golden tones, ever safe and bright. Stop the time and breath. Uplifted and free. In. Out.

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  • Land Bridge

    Land Bridge

    Long exposure photograph of Great Bay Boulevard's first bridge backlit by lightning.
    Land Bridge — 35mm | f/1.4 | ISO 100 | EXP 20 sec

    Friday evening I hitched a ride with Jon Carr and we made our way to Great Bay Boulevard. The hope was twofold: 1) outside shot at a well timed break in the clouds for sunset ignition; and 2) with a segment of thunderstorms approaching from the west, lightning captures were on the table. While neither outcome panned out in the ideal the night wasn’t a total wash. Under the gun of days of stiff west by northwest winds, a blowout tide exposed a land bridge and thereby allowed me to shoot from a sand plain that’s far more often than not under the cover of brackish water. Advantage: Greg. This afforded me a rare angle on Great Bay Boulevard’s first bridge, and I did my best to exploit the opportunity.

    Surely I wanted some high drama cloud to ground lightning from this vantage point, but considering we were about 20 miles south of the real action that simply wasn’t in the cards. Instead I tried to make the most of the cloud level flashes coupled with the low cloud deck that was bouncing the light pollution in a cool array of orange, pink, and purple hues. One of the reasons I added a 35mm lens to my bag was for some better lightning photography. More often than not the 14mm is just too wide, and unless you have the fortitude to let the lightning get right over your head the bolts are oft too far in the distance. My hope is the 35mm while bring in the right amount of intimacy while remaining wide enough to still capture a good piece of the sky.

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