Tag: reflection

  • Plebs Will Out

    Plebs Will Out

    14mm sunset photo made in early November along the Cedar Run Dock Road salt marsh. Yellow, pink, and purple pastels color up gossamer clouds stretched across the sky all reflected in water.
    Plebs Will Out — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    After making this photograph Friday afternoon at the usual Cedar Run Dock Road spot I got to thinking. The exponential increase in not only photographs, but their quality this past decade has been extraordinary. On account of the technological powerhouses forever affixed to our palms and pockets billions of people the world over have ever improving picture making machines at the ready. The ubiquity of smartphones coupled with the increase in data and sensor power has turned every man, woman, and child into capable content creators. This has gifted us with growing volumes of splendid photographs the world over. A brand of photography that gets better and more beautiful with time. The improvement is not only at the hands of technology, either. Through the years as our phone cameras get better, it’s the near constant practice of making photographs everyday which has made us all better photographers. Anywhere you go you’ll find someone, often many someones, making a photo.

    This democratization of technology has taken photography from a cloistered craft of the few into a pastime of the many. The equalization of this skill makes us all richer. Smartphones have become the great leveler, bringing high quality picture making devices to so many. This has allowed experimentation and practice by people in places who otherwise would have had no chance to learn the trade. As a photographer this excites me. It helps me to be a better photographer. It pushes us all. It’s a wonder to see regular people turning out inspiring still and videos day in and day out. The plebs will out, and I am here for it.

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  • Distortion

    Distortion

    14mm wide angle photo made after sunset overlooking Cedar Run Dock Road salt marsh. Deep blues fill a sky alight with sweeping pastel clouds reflected in a marsh pool.
    Distortion — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    I am not what I think I am, and I am not what you think I am. I am what I think you think I am.
    —Charles Horton Cooley

    I came upon this quote yesterday in Jay Shetty’s audiobook, Think Like A Monk, and damn that is incisive insight. Is it not true we are but projections of projections? A skewed facsimile as we endeavor to manifest ourselves as we perceive others see us. I make this statement without judgement, more as a recognition of observable truth. In all our efforts to make ourselves, we build an edifice as an assumed image of what we think we are to others. It’s a trick, an artifice, a distortion.

    The problems here are manifold. One, it assumes we know what others think of us in fact. Two, it gives too much power to the opinions and assumptions of others. Three, it assumes others know us comprehensively enough to distill our full character. Four, and most important, it removes our own agency. It strips us from discovering ourselves in sacrifice to serving an unknowable image we think others hold of us.

    None of this makes us bad people, lacking and wanting of autonomy and originality. No, it’s more positive than that. It’s a friendly canary in the coal mine singing out for us to recognize this distortion in better service of our true selves. Be not buried in the soot and morass of assumed thought. Do not be the looking glass projected onto another looking glass when together we can stand apart in front of our own mirrors.

    Antisocial indefinite

    I’ve deactivated my accounts on the Big Three social media platforms. I said so long to Twitter, Instagram, and Facebook. This is not a stance in self-righteousness per se, more a timeout from too much toxic information. I doubt you need me to tell you about the inundation of anxiety and filth that has seeped into every post and every comment thread. This coupled with the induced compulsion to keep up, look cool, and fit in, was too much. I needed to get away. It’s something I wanted to do for many years, and I am glad I finally pulled the trigger. Not knowing what is going on in the outside world has been glorious.

    There are some drawbacks to my decision, of course. Chief among them will be some lost connections I’ve made over the past decade—connections I cherish dearly. Another casualty is the dissemination of my photography. Far fewer eyes will see my work now. This is a blow, yet I feel the tradeoff necessary. I have this website, little traveled as it is, as my go to spot for creative self expression. I plan to continue posting photographs and writings here. I appreciate each and every one of you who visits my site. It is meaningful support to me.

    Round number alert

    Speaking of this website, here marks post number 500! Crazy to think I’ve made 500 entries since launching this site upon the world back in January 2014. I never thought I would have gone this far. So here’s to 500 more. Thank you all who’ve journeyed with me along the way.

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  • Again?

    Again?

    14mm wide angle photograph of an oxbow feature winding through the salt marsh. A pastel sunset sparkles in the sky, marsh grasses frame the foreground with clouds mirror reflected in the water.
    Again? — 14mm | f/8 | ISO 400 | EXP 1/13

    Is he posting this shot again? Yes. Think it’s time he finds, you know, a different angle at the very least? Also, yes.

    I debated posting this photograph I made back on 25 August. It’s a an angle I have exploited on numerous occasions. And even though no two sunsets are the same, even I am growing worn thin by my lack of originality. (This coming from a notorious creature of habit.) Nevertheless I am rolling with it considering the rut I’m in and the insidious angst I feel. I am going through the motions and so my photos are going through the motions. Something about life imitates art.

    Maybe it’s the comfort in familiarity that keeps me going back? Or maybe that’s little more than a double-edged sword. A safety net keeping me from breaking out and trying new things? Maybe it’s the slow churn of a global pandemic coupled with a deteriorating society fueling the angst? Maybe it’s the barrage of hot takes, baseless claims, and toxic passive aggression permeating social media post after social media post? Or maybe it’s the inevitable advance of fall? Or maybe it’s just me?

    I’ve written before how this time of year weighs heavy on me—even in the best of times. Shortening days, the death of summer, the advance of the great browning. It all sets me on edge. I struggle to find comfort and solace knowing summer now sits an entire calendar year away. I’ve managed the past nine months or so with a one day at a time approach. Avoiding the pitfalls of thinking too much on an unknowable future. I must work to reclaim that mindset, cliché as it may be.

    For anyone else out there struggling, worrying here we go again? Maybe it doesn’t have to be so hard this time? And better yet, maybe we’re far closer to something good than we could ever know? Keep hanging, y’all.

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  • Stop the Clocks

    Stop the Clocks

    14mm wide angle photograph of a salt marsh oxbow feature at blue hour. Mirrored reflection captures the still colored pastel clouds stretched thin across the sky.
    Stop the Clocks — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    The calendar claims today as 23 August 2020. I wish it would stop shouting Summer is OVER. What happened to time? March was about 93 days long, and each month since lasts about a week and a half—tops. Shattered is our perception of time. Easy days whiling about hours once spent on beaches and fields find replacements in anxiety, uncertainty, and fraying society. And it is with speed these insidious malfeasants, uninvited as they are, rob us of our time. Stealing our present and hoarding our future.

    And yet we soldier on and endure. We bide our time, turn to our strengths and cultivate purpose to prepare for the renaissance. Time will call to order again. The arrow of time, never directionless, will reassert its dominion and the universe will unfold as it should. Build trust. Know faith. Foster humility. Learn to grow. Live to love. Make yourself.

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  • Where Goings

    Where Goings

    14mm wide angle photo made at blue hour over the bright green salt marsh of Cedar Run Dock Road. Low cumulus clouds race across the sky and reflect in a still water pool.
    Where Goings — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Clouds rush by as years
    Quickened and blurred
    Life dashes
    Drift and drift and drift
    Have I a cloud?
    A spirit to float on present wind?
    Nay, I am a tether anchored in past,
    Chained
    Worry escapes to future where is hope,
    Abandoned
    Tears streak a far off gaze,
    Chastened
    Molded in past
    Weighed in present
    Promised in future

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  • Reflection Point

    Reflection Point

    14mm wide angle sunset photograph featuring blue skies with orange, yellow, and pink pastel colored clouds reflected over mirror calm water of Cedar Run.
    Reflection Point — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    I made this photograph with my tripod set upon the swim platform of my parents’ pontoon boat. They have kept their boat at Cedar Run Dock Road since September 2015, yet it was not until July 2020 I began shooting on location. A definite miss on my part. Their slip affords a wide view of Cedar Run creek making an ideal spot for mirrored reflections in still water.

    This watery mirror has me thinking on my own life. It also affords an opportunity to share some quick reflections about myself with you. So here goes—I:

    • am 37 years old, and I live alone in Manahawkin, NJ
    • have lived in New Jersey my entire life
    • grew up in East Brunswick until uprooting to Manahawkin in summer 1993
    • earned a B.S. in Business Administration at The College of New Jersey
    • began making photographs in 2012
    • work for Johnson & Johnson
    • have a younger brother and sister still living and rocking in their 20s
    • struggle with insecurity, anxiety, and depression
    • use Oxford commas
    • insist we normalize therapy as OK
    • practice yoga, make time for long walks daily, and jog when my back allows it
    • had a catheter ablation in 2016 to correct atrial fibrillation
    • had melanoma removed behind my right ear the same year
    • am blessed with an amazing core of friends
    • value trust, loyalty, and integrity in high honor
    • am layered and take a good long while to open up—think peeling back an onion
    • practice patience
    • am captivated and awed by individuals who perform any task at a high level
    • find inspiration in passion
    • enjoy writing
    • use a dictionary on the regular
    • listen to audiobooks
    • make silly song parodies
    • cannot carry a tune
    • am awkward, shy, and weird
    • allow fear to guide the ship too often
    • am afraid of small talk
    • teach myself new things
    • am learning to cook
    • strive to generosity
    • believe in peace
    • hide from conflict
    • nurture introversion
    • flex to extroversion
    • honor nature
    • marvel at space
    • seek spirituality in the universe
    • know dissent is patriotic
    • will never stop chasing sunsets
    • support #YankeesOnly

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  • Set

    Set

    14mm wide angle sunset photo with intense pastel colored mammatus clouds smoldering over Cedar Rund Dock Road's salt marsh and still, reflective water.
    Set — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    It is no secret I’m on team Winter Sunset™, but my goodness summer is bringing it this year. 2020 is, well, you know, but at least it’s allowed us big time heat and humidity, comets, and sky fires. Right! Right? Sunset at the salt marsh has delivered big time the past few months; and that’s with me missing several stellar sunsets and thunderstorms. Sunsets come in bunches and summer 2020 stands testament.

    A little inside baseball: The color in this photograph is potent. Storm clouds breaking and intense coloration running up the high level mammatus clouds. An ‘X’ pattern sends deep pastel hues in four diagonal directions. Bisected latitudinally, deep green salt marsh cuts across.

    When I make my landscapes I begin with seven bracketed exposures, each one stop apart. Running -3, -2, -1, 0, +1, +2, +3. After migrating to Lightroom I pop the seven brackets into Photomatix to merge them into one image file. Then bang, back into Lightroom. From there edits happen quick—delivering a photograph ready for showtime. Well this little buddy took some wrangling. There was so much color to reign in. After over an hour of jostling I’m satisfied; deep, intense, and smoldering.

    Let’s keep this set rolling and catch another one tomorrow?

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  • Peace and Pilings

    Peace and Pilings

    14mm square format photo of a potent pastel sunset reflecting over a glassy Cedar Run creek. Two vertical pilings mark the mid ground.
    Peace and Pilings — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Mark the horizon to find your way. Where two uprights cleave your life in thirds. Pastels flare to set the world anew afore darkness pulls it under. Serenity finds the seeker. Framed in peace and pilings. Draped in sheer joy. Reflecting hope and purpose. The mirrored worlds are yours.

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