Greg Molyneux Photography

Tag: cedar run dock road

Cedar Run Dock Road photography made by Greg Molyneux

  • Take Leave

    Take Leave

    14mm wide angle HDR sunset packed with cotton candy pastel clouds reflected over the late summer salt marsh.
    Take Leave — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Take leave
    pay heed
    Hear your body take time to breathe

    Unwind
    free mind
    In the moment your soul will find

    Destress
    full press
    Permit yourself the chance to rest

    Be still
    free will
    Heal your heart and hope will fill

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  • The Green Zone

    The Green Zone

    14mm HDR photograph of emerald green sedge grass beaming beneath stormy late June skies. A classic mid-Atlantic salt marsh scene captured at golden hour.
    The Green Zone — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Not much beats the salt marsh in June. It’s about as good as a flat, horizontal landscape can look. For me it’s the way the newborn emerald green sedge grass complements a royal blue sky at golden hour. This power trio realizes its highest level in early summer; running about mid-June through the fourth of July. Pair this with dramatic clouds fed by a tropical airmass and you have yourself a proper summertime treat. Real glad I took a moment out of my day to make it to the Dock Road marsh last night.

    Cheers, and I hope you are all doing well.

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  • Out of Sight

    Out of Sight

    A high powered sunset ignites over the salt marsh as we move toward summer. Photographed at 14mm and merged and processed for HDR.
    Out of Sight — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Chasing sunsets was not on my big card yesterday. Between the Yankees/Rays game, a four mile jog, The Legend of Zelda: Tears of the Kingdom, and the promise of pizza at mom’s house, my docket was full. Plenty of clouds were driving a daylong overcast sky, much needed rain threatened though it never delivered much more than a few fat drops here and there. It didn’t seem an option.

    It wasn’t until I was backing out of my driveway and making my way up the street that I noticed a piercing orange crack in the western horizon. Little shimmers of colors powering their way through the trees and houses of my neighborhood. The clouds had real texture, too. I checked the clock. 19 minutes to sunset. Time to pivot. I circled back to my house, grabbed my camera gear and made for Dock Road. I am sure glad I did.

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  • When the Night is Over

    When the Night is Over

    14mm sunset photograph working over a salt marsh in a hue of blues, pinks, oranges and yellows.
    When the Night is Over — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Familiar jaunts to familiar haunts. The road back to a place that shaped me. Long before photography was the marsh. Long after photography the marsh will be. Ever present, forever here unyielding. Soft sings the subtlety of change slow molding even the deepest firmament. Its work known only to the keenest eyes draped by long years put to the service in the knowing.

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  • Respite

    Respite

    14mm blue hour photo of a calm Little Egg Harbor. Using left to right panning to create a smooth motion blur.
    Respite — 14mm | f/8 | ISO 100 | EXP 1/13

    Obligatory it’s been a while. I have no idea what is going on with my photography these days. I find myself mired in this strange in between space of wanting to make more photos again, and an unwillingness to make any kind of time for it. This polarity and my habit of hesitation has put any chance of a break through into suspended animation. If I want to get back after I need to build back with discipline and active purpose.

    Further complicating all this indecision is the fact I miss writing on this here website. If only for my own practice, having this space to put down my thoughts alongside my photography creates my own little paper trail. A small proof of my inner workings, breadcrumbs feeding my own development across the years. I enjoy the process of scouting the late afternoon sky, going to the marsh, framing an exposure, returning home to filter and process, and then to wrap it all up with a blurb that may or may not have anything to do with my image. It is this sounding pangs of this urge that call me back the loudest.

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  • Can’t Fight the Light

    Can’t Fight the Light

    A smoldering sunset burns over the lush summer green salt marsh at Cedar Run Dock Road photographed at 14mm focal length. Seven bracketed exposures one f-stop apart merged for HDR to maximize dynamic range.
    Can’t Fight the Light — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Saturday night brought the goods. A smoldering burn presented as the centerpiece of a summer salt marsh bouquet. Things are not fine but the lighting is good. A moment of peace in the otherwise steady stream of turbulence that is our current times. My wish is only that the headwinds fade and the sunsets keep burning lest we all go to ash together.

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  • The June Palette

    The June Palette

    14mm HDR photograph of a pastel sunset over fresh summer green grasses of Cedar Run Dock Road salt marsh.
    The June Palette — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    That green. That blue. That pink. Total chef’s kiss bliss. I’ve written early and often about the June color palette that dials it up to 11 each June here in southern Ocean County. There is nothing quite like the way newborn marsh grasses radiate a fresh green far beyond anything I have the ability to articulate. I’m never sure what to call it; nor am I worthy to give it a name. It’s something of a perfect merger of chartreuse and emerald. The dance floor of life. It last but a few weeks and there is nothing like the way it plays at sunset. It dances in perfect step, leading the grooving blues and pulsing pastels to waltz in triumph at day’s end. May this look never get old.

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  • Shaken

    Shaken

    14mm sunset photo at Cedar Run Dock Road's lush green salt marsh. Left to right panning introduces motion blur to the photograph rendering a dreamy, painterly effect to the image.
    Shaken — 14mm | f/8 | ISO 100 | EXP 1/5 sec

    I called 9-1-1 this week. Tuesday, May 31, 2022, at 11:25 p.m. Hopefully a first time, last time situation. I was sitting on my couch playing Hollow Knight when my left side chest tightened and within moments my heart rate spiked, and I felt as though a 200 pound person was standing on my chest. A contradictory numbing yet tingling session worked its way down my left on. In a panic I called my mom.

    Even though she was on her way to check on me—we live in the same neighborhood—my condition deteriorated. The pain and pressure increased, and I feared I was going to lose consciousness. As I did on March 17, 2022, in Epcot. Worried and frightened, thinking I was having a heart attack, I dialed 9-1-1.

    Within a few minutes of interview style questioning, my mom showed up. Immediately followed by a police officer, and then followed by two ambulances and five paramedics. Fortunately by the time everyone was there the acute chest pressure had nearly subsided in full, and my heart rate was back in check. From there it was standard procedure: EKG, blood pressure, some standard issue question and answer. Upon first look there was nothing wrong but I still took the ambulance ride to the hospital. My second such ride in 10 weeks. It’s not what you want.

    No one knows what went wrong. Why it went wrong. Or how it went wrong. I guess panic attacks can result in this kind of chest pain and pressure? The lack of answers is unsettling, and I have been dealing with heart issues for years now, which deepens my fears. Diagnosed with atrial fibrillation in 2016, followed by hypertension, followed by high cholesterol. Suffice it to say my ticker ain’t it, and it really bums me out. Now I sit here and can only describe my headspace as shaken.

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  • Rolling On

    Rolling On

    14mm sunset photograph over Cedar Run Dock Road salt marsh in mid May. The sky and clouds light up in pink pastel tones as storm clouds roll across the marsh from the western horizon.
    Rolling On — 14mm | f/8 | ISO 100 | 7 Bracketed Exposures

    Folks, it’s been a while. I’d like to send a shoutout to whatever or whomever helped float a mote of motivation across my frontal lobe. However it happened something triggered the following series of seemingly unrelated events: a five mile evening run soundtracked by Star Wars: Thrawn Ascendancy (Book III: Lesser Evil); followed by mom’s chicken tender face stuffing immediately nullifying said run; followed by a wholly unplanned and long overdue drive out to Dock Road—camera in tow. This moment of spontaneous inspiration proved useful as those storm clouds were rolling and the light show was doing that whole sunset drama thing. It was all happening.

    I have to be honest, though, part of me wondered if I still knew how to do this whole landscape photograph thing. I am happy to report it was like old hat and all that. It felt good to be back. Good to be rolling on. Oh, and the motivation is still going strong as I even edited and posted my shot same day! And yes, as if it wasn’t already painfully obvious, I am a total Star Wars nerd.

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